A Quote by Margaret Thatcher

If my critics saw me walking over the Thames they would say it was because I couldn't swim. — © Margaret Thatcher
If my critics saw me walking over the Thames they would say it was because I couldn't swim.
Some critics saw fit to say that I was a great actress. I thought that was a foolish, wicket thing to say because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry.
They say fish should swim thrice * * * first it should swim in the sea (do you mind me?) then it should swim in butter, and at last, sirrah, it should swim in good claret.
Many of my sharpest critics have decided to take a position of ignoring me - because they feel that by attacking me, they would draw attention to my book and give me more publicity and help me sell more books. So I think that they decided that the best thing for them to do is to say nothing. Also, I think that some of my critics simply can't refute my argument - and so it's easier for them to ignore it as well, so that they're not forced to confront the logical contradiction in their own position.
At the very least i should fear you. some would say that I should hate you." "Many would say that." "Yet i neither fear nor hate you." "You-you are comforting me. Giving me sanctuary. Why, Grandma?" Aurox asked. "Because I believe in the power of love. I believe in chosing Light over Darkness-happiness over hatred-trust over skeptism.
If I walked on water, my accusers would say it is because I can't swim.
It's never been just about me. It's about my grandparents who used to drive me to swim practice. My dad who - on his one day to sleep in - would take me to swim meets. My mom and my sisters who would massage my aching shoulders when I was little There have been so many people who have believed in me when I didn't believe in myself.
As I went walking That ribbon of highway I saw above me The endless skyway I saw below me The lonesome valley This land was made for you and me.
Others would say to me, 'It is only temporary, it will pass, you will get over it,' but of course they had no idea how I felt, although they were certain that they did. Over and over and over I would say to myself, If I can't feel, if I can't move, if I can't think, and I can't care, then what conceivable point is there in living?
My daughter saw this billboard for this place: 'Swim With the Dolphins.' She goes, 'I wanna do that.' I said, 'It's a lot of money - forget about it.' She said, 'Dad, I always wanted to swim with the dolphins.' 'Always, or since you saw the sign?
But if people want to swim in the Thames, if they want to take their lives into their own hands, then they should be able to do so with all the freedom and exhilaration of our woad-painted ancestors.
I love motion-capture, because you're just free. It's like when you're a little kid, and you say, "Okay, we're the army men. We're going over the mountain." Or, in this case, "We're walking through the swamp" or "Walking through the casino." And it's just a blank room.
I saw how the Government was run there [in Africa] and I saw where black people were running the banks. I saw, for the first time in my life, a black stewardess walking through a plane and that was quite an inspiration for me.
But I remember the morning after The Mask of Virtue-which is the first play I did at the West End-that some critics saw fit to be as foolish as to say that I was a great actress. And I thought, that was a foolish, wicked thing to say, because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry. And it took me years to learn enough to live up to what they said-for those first notices. I find it so stupid. I remember the critic very well, and have never forgiven him.
To me, the [British] Open is the tournament I would come to if I had to leave a month before and swim over.
My parents didn't want to believe their son was 200 feet up, free-soloing. They liked to go on long walks and runs, and they would go right by Joe English. Later they'd say, 'Hey, we saw someone climbing up there.' They would describe what they saw, and I'd be wearing the exact same outfit. And I'd say, 'Oh... Nope, wasn't me!'
I'd get more applause than some because I was just seventeen. If they didn't clap at the end of my act I would limp off stage and boy would they feel guilty. They would all burst into tremendous applause as they saw this poor cripple kid walking off.
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