A Quote by Margaret Trudeau

I tend to keep the press at a distance, you know, and I don't really react to what they say. I react to what I feel more. — © Margaret Trudeau
I tend to keep the press at a distance, you know, and I don't really react to what they say. I react to what I feel more.
To imagine secret societies and conspiracy is a way not to react to the social and political life. Because you say, "We don't know who they are. We cannot react without reasoning." So it is a way to keep people far from the political environment.
As actors, we react to the material that's out there, and I probably just react more strongly to things that I feel will have some social value.
You are a human being, you do react. If you react to negativity, you also react to positivity.
Change no one. Change nothing. React to no one, react to nothing. Do not live in the past and do not, worry about the future. Stay in the eternal now, where all is well. After all you are me and I am you. There's no difference. Do not react to the world. Do not even react to your own body. Do not even react to your own thoughts. Learn to become the witness. Learn to be quiet.
Sometimes I feel like people don't even know how to react in some situations because of online culture. Since many things are online, you might not react to something that is happening live.
My stories are about humans and how they react, or fail to react, or react stupidly. I'm pointing the finger at us, not at the zombies. I try to respect and sympathize with the zombies as much as possible.
What you feel and how you react to something is always up to you. There may be a "normal" or a common way to react to different things. But that's mostly just all it is.
I've never really been a character on TV. I think, if possible, you want to portray yourself. If you're in a situation where you're supposed to react, you need to react.
I know it's going to sound like a cliché, but the key of successful playing a role is to sort of keep it real and earnest and react the way that one would react in those situations. Where the disconnect between the movie and the audience would happen is if you go too big or too crazy with that stuff.
In the course of interviewing, I've discovered that if you don't give your guest something to react to, they don't react. They simply say what they've been saying every time they've been interviewed. The last thing you want is to have people say to you what they've said to someone else.
I think the beard helps offset - it's the only hairstyle I can really pull off. But I'm often clean-shaven. I think, you know, for me, it's not that signifier. What's interesting to me though is although the beard isn't a signifier of that to me, other people very often think that it is. And so people in America might react differently. The, you know, border agents might react differently. The guys at airport security might react differently.
Without emotional control you cannot play, influence; you cannot react. You have to know what you have to do and not react. You have to be cool.
Love has within it a redemptive power. And there is a power there that eventually transforms individuals. Just keep being friendly to that person. Just keep loving them, and they can't stand it too long. Oh, they react in many ways in the beginning. They react with guilt feelings, and sometimes they'll hate you a little more at that transition period, but just keep loving them. And by the power of your love they will break down under the load. That's love, you see. It is redemptive.
Codependents are reactionaries. They overreact. They under-react. But rarely do they act. They react to the problems, pains, lives, and behaviors of others. They react to their own problems, pains, and behaviors.
You have to fail, man, but you cannot allow failure to stop you from doing what you must do. Failing is just as good as succeeding in a lot of ways. It's how you react to it all. You can react to success the wrong way and be a total failure. Or you can react to losing with your whole heart, learn from it, and be a huge success. In stand-up, I've learned to know when I'm burning it up or when I'm being so-so. That's experience. I learn every single time I'm on a stage.
The more I pay attention to what's going on inside, the more I realize that how I feel, and how I react to what I feel, really creates my reality. And the more in touch I can be, the better chance I have to control what's happening in my life.
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