A Quote by Margaret Way

Certain women because of their female power and seductiveness could bring destruction to a family. — © Margaret Way
Certain women because of their female power and seductiveness could bring destruction to a family.
You can have a lot of destruction, but in a realistic female movie, the women are going to be aware of that destruction and apologizing for it.
If you look at most women's writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writer's description of a female character are, perhaps, a little more judgmental. They're looking for certain things, because they know what women do to look a certain way.
If you look at most womens writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writers description of a female character are, perhaps, a little more judgmental. Theyre looking for certain things, because they know what women do to look a certain way.
if networks of women are formed, they should be job related and task related rather than female-concerns related. Personal networks for sociability in the context of a work organization would tend to promote the image of women contained in the temperamental model - that companies must compensate for women's deficiencies and bring them together for support because they could not make it on their own. But job-related task forces serve the social-psychological functions while reinforcing a more positive image of women.
I come from a huge family and out of all 34 of my immediate family members, my heavier influences were women. Between my grandmothers, aunts, older female cousins, and of course my mother, I was pretty much predominantly raised by women, as they make up most of my family anyway.
I want to support other women because of the opportunities I've had - and I've had a lot of opportunities. What I try as a female director is to do the best job I can and, in the meantime, bring attention to as many other female directors and writers as I can.
Women hold the power because we have the vaginas. If you're in a heterosexual relationship and you're a female, you win.
I hate to say there are female and male ways of dealing with power, because I think each of us has a male and a female part. But based on my own experience, women will tend to be inclusive, to reach out more, to care a little more.
This is a culture of female display. And the reason it's a culture of female display is that on the Upper East Side women far outnumber men, if you do the sex ratios. I can't say exactly what they are, but you could google it. People have said two to one. So, it's a female display culture because sex ratios are skewed toward men, and they sort of have their choice, even if they're married.... Also, women are economically dependent on men, and so there's that aspect of needing to perform your beauty and your scarcity.
More women are working because they have to, that's what it takes to put the food on the table and pay the rent. And yet we have not changed our policies to support the family. The right wing goes to the floor, and they did when they were in power, and talk about family values. Well, where are they? Family values is support for child care. Family values is equal pay for equal work so that women are paid appropriately.
Women are clearly the major consumers in far more than just female categories. It doesn't matter whether it is purchases of cars, cosmetics, or even products for men, female consumption power is the leading consumption power in the world. Any company that overlooks the woman as the decision maker is making a huge mistake.
I believe that there are certain attributes in a woman that give her some advantages over a man. Women are usually more honest, more sensitive to issues and bring a stronger sense of commitment and dedication to what they do. Maybe because they were mothers, and being a mother you have that special attention for the family, for the young, for children…
As I looked more carefully at the listening matrix I saw that during the past twenty years we had taken a magnifying glass to the first of these four quadrants, the female experience of powerlessness. I saw I was subconsciously making a false assumption: The more deeply I understood women's experience of powerlessness, the more I assumed men had the power women did not have. In fact, what I was understanding was the female experience of male power.
I'm drawn to female characters, not all of them are strong characters. I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't, or are unconscious about, or have certain liberties that are invisible to them.
I really want women to appreciate their power. It was obvious to me that lots of people are comfortable with power, and they see what it can do, but women's expression of it was never as comprehensive as it could be. It seemed like an amazing gift that Oxygen could give.
People ask why there are so few female artists who succeed. It's because women are not ready to sacrifice as much as men. Women want a man, they want a family, they want to have children, they want to be loved, and to be an artist. And they can't; it's impossible.
This site uses cookies to ensure you get the best experience. More info...
Got it!