A Quote by Margaret Weis
A 'why' is a dangerous thing... It challenges old, comfortable ways, forces people to think about that they do instead of just mindlessly doing it. (Haplo) ... I think the danger is not so much in asking the 'why' as in believing you have come up with the only answer. (Alfred)
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The question is, why are we doing so well? The answer is, I try not to think about it too much. I just do what's fun.
If I just got up in the morning and had no place to go and was retired or something, I would be sitting there and be thinking, "Gee, what is the purpose of life? Why are we all finite? Why do we get old and die? Is there nothing out there? Why is it so tragic? Why do our loved ones perish? Why do we generate?" Who wants to think about that stuff?
Yeah, for me there are other challenges that aren't musical too. Like you just don't have as many people to feed off of energy wise, you are loading in and out and you are driving yourself more. Most of the challenges that count are the musical ones. I don't know why people come out to the shows, but I never think that it is to hear me play the guitar and sing. I think it must be in the writing and the presentation, which are the areas that I feel most comfortable.
I am not really thinking, I am just, working with the music. And people have asked me, why don't you say more, or why do you not have singers, or why don't you sing? I think it's because, if I would have words for what I am doing, I I could write. But I really don't. It's a whole different thing. And I think it's one of the beauty of instrumental music is that it can be background. It can be what people call "easy listening." But it's really one of those things where it's as much as you are willing to give it.
My thing about gender-based violence is to bring in the men. Because people would ask women, 'What do you think we should do to fight this?' And I'm like, 'Why are you asking me?' I'm not the perpetrator in most of the instances so why don't we call on the people that are?
The one thing I'd always wanted to do in my career is push myself out of my comfort zone - I think I'm really comfortable with being uncomfortable. So that's why I played pro men's hockey, that's why I played softball and hockey at the same time, that's why I'm not afraid to speak up - that's just who I am.
For me, I've gotten away from feeling I'm too dark. we're all women of color, and a lot of us are doing some great things. I think it's important the great things that we all do instead of asking, 'Why didn't I get this?' or 'Why did the light-skinned girl get that?' instead of focusing on the positive. That what I and some girlfriends of mine are doing, celebrating all colors and all ethnicities of women of color. That's a better way to go, rather than bringing all the negativities into it. It so much easier to smile and have fun than it is to hold grudges.
My favorite thing about acting is you have to learn how to work with people that you probably would never try to. Some people just aren't supposed to be in a room together, and you have to be in a room with a group of people who might not all get along and you have to figure out how to come together for one thing. That collaboration is special, and people don't get to exercise that. I think that's why people become stubborn, and I think that's why people become uninspired to change. In this job you have to.
My favorite question is 'Why?' I think it can be really helpful - I also think it can be annoying to people at times; I'll admit that. But I really do try to understand why are we approaching it this way, does it makes sense, is this the right answer, why is it the right answer, are there other paths to getting there, could those be better.
I think I have an ongoing conversation with God. I think throughout the day, I'm constantly asking myself questions about what I'm doing, why am I doing it.
People asked me, 'Why aren't you doing something more important?' When I was doing well in the D-League, they were like, 'Why can't you get an NBA job? Or a college job?' I don't think people thought much of what I was doing. That's fine. I was learning. Not just X's and O's, but team dynamics.
The thing I remember the most was not understanding why, if you were doing the right thing, then why did people want to kill you? I remember asking my parents, 'Why is it when people are trying to help other people then they're dying?'
Yes, I mean, I used to be into the big bulk thing, and that's why my legs look like those of a cyclist instead of a shooter's, but I think there is a point to where too much is not a good thing. I think I try to lower my center of gravity by doing a lot of legs.
Whenever you do something without asking yourself, "Why am I doing this?"-that is meaningless life... . The "why" of life makes it meaningful... . Only when an answer is given is one living life as a man.
You read about poor people having Botox go wrong and you think: 'Well, what the bloody hell were you doing?' Why would you inject yourself with poison? And why are we spending so much time looking at ourselves? I just don't get it.
I've often been asked why my shot-taking is not stylish, why I don't think about visual statements. The truth is, style is irrelevant. I never think of the shot as much as I think of the characters and what they are saying and doing.
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