A Quote by Margarita Levieva

I'm not an insecure person, per se, but I just never saw myself as the girl who walks into a place and everybody goes, 'Wow.' — © Margarita Levieva
I'm not an insecure person, per se, but I just never saw myself as the girl who walks into a place and everybody goes, 'Wow.'
Im not an insecure person, per se, but I just never saw myself as the girl who walks into a place and everybody goes, Wow.
I got a young black woman agent, and she kinda just knew what I would be attracted to. She sent me this pilot for 'Insecure.' I never saw myself as a comedy director, but when I read those pages, I said, 'Wow - this is my life on the page.'
Well, I've never looked upon myself as being a beauty, per se.
We proclaim human intelligence to be morally valuable per se because we are human. If we were birds, we would proclaim the ability to fly as morally valuable per se. If we were fish, we would proclaim the ability to live underwater as morally valuable per se. But apart from our obviously self-interested proclamations, there is nothing morally valuable per se about human intelligence.
Let's just call what happened in the eighties the reclamation of motherhood . . . by women I knew and loved, hard-driving women with major careers who were after not just babies per se or motherhood per se, but after a reconciliation with their memories of their own mothers. So having a baby wasn't just having a baby. It became a major healing.
I had that extroverted energy, and I always involved myself in quite adult conversations. My mum never hid us from that. There was never a kids' table; we were never treated as kids, per se, because I don't think she believes in that.
When someone walks into my room and goes 'wow' at my record collection, at that moment I could actually hate music and just want to go sit in the garden.
I'm not looking forward to a specific person per se; I'm just excited to meet everyone. I respect greatness and I'm just going to soak in anyone I meet.
Twitter is definitely not the place to handle business per se.
To be a superstar you have to win and you have to have something special. For me, I hope that knocking people out is my something special because I can't sell myself, per se, and become a different person on camera and a different person off camera.
Nobody walks through life as a pure babyface per se or a pure heel, we all have shades of grey, and there's some days we're a little better than others, and some days we're a little more ornery. And I think that I just embody that.
I was never a hippy, per se.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
I'm writing a political comedy that takes place in Canada in Quebec. It's funny. Saying political comedy is a little redundant but it's a first. I've never done any comedy per se.
What's wrong with you? I asked myself. You are a happy person. You are an upbeat sort of person. Men smile at you on the subway, women ask you what shampoo you use. Cheer up for Christ's sake, I told myself, relax, you're fine, be happy, Girl. When I talk to myself I call myself Girl.
Though it may not seem like it, I never try to write about a place, per se; it's always, first and last, about story. Story is everything. Story and a bit of attitude.
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