A Quote by Margherita Missoni
When I was growing up, my family was serious about manners. I always wanted to put my elbow on the table to prop my head up. I didn't understand how other people looked awake. My head felt so heavy after the whole day.
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What I love about how my career has gone up to this point is that I've always, always put my head down on my pillow at night, and I've been able to say that I've done, honestly, what I've felt like I wanted to do. And that's really all you can hope for in everything you do.
I don't like the way the cage is set up. I think it's really dangerous that the metal comes up about three inches off the ground. People were putting their foot on it. I can see it. And I was worried about being taken down and landing backwards with my elbow. and damaging my elbow or even my head.
It was always inevitable that if you get serious trouble in any family then everybody's inclined to look at the head of that family and see if they see any cause or reason to associate it with the head of the, head of the family, why it should be.
The first day of training in Big Bear, it felt like somebody put a plastic bag over my head. After eight weeks up there, I feel very strong.
When the police arrived and found no lion, no broken wall, and no convicts, and the Head behaving like a lunatic, there was an inquiry into the whole thing. And in the inquiry all sorts of things about Experiment House came out, and about ten people got expelled. After that, the Head's friends saw that the Head was no use as a Head, so they got her made an Inspector to interfere with other Heads. And when they found she wasn't much good even at that, they got her into Parliament where she lived happily ever after.
For me, growing up in a ridiculously poor family living in dead-end neighborhoods, Superman was a deeply personal icon, one that said you can do anything if you put your mind to it. What he stood for formed the core of who I wanted to be as I grew up, and informed how I view the world and my responsibilities to other people.
I'm always building images. Even when I go out and put a look together, it's in my head the whole day, like, how I'm going to create this whole story. But I'm never satisfied; it's always a work in progress no matter what. Every day is working.
There are things I don't like, like sitting at the head of the class. It makes me uncomfortable. I'll do it in a seminar if I have to, but with a workshop, I try to put myself in the circle somewhere. Because that hopefully frees up some people by making somebody else sit at the nominal head of the table.
When I was growing up, my mother worked, and in the evenings, the whole family would sit around the dinner table and recount the day.
We had an electronic head and arm for Threepio, and I manipulated the mechanism with a joystick. But it wasn't working. The propman said, 'Give me fifteen minutes.' We all went to get coffee, and when we came back, Threepio's head turned perfectly and his arm moved naturally. I looked up and realized that the prop man had a fishing pole with a fine nylon string attached to Threepio's arm. He had rigged another string around the head, which Chewbacca was holding. As Chewie moved his hands, Threepio's head turned!
I was always interested in music, I felt it was time to do it, coming out of the punk scene [1979]. I thought it was ideal that anyone could just put together a group and make it work. Then, of course, it became a little more detailed after starting it and realizing that it was something serious, not just a one-off situation. I had to put a lot more into it. Also I did it to get a lot of things out of my system, things that had been put there while I was growing up in my family. A sort of exorcizing of demons.
[S]omething inside us, the feeling of resentment, the feeling that wants to get one's own back, must be simply killed. I do not mean that anyone can decide this moment that he will never feel it anymore. That is not how things happen. I mean that every time it bobs its head up, day after day, year after year, all our lives long, we must hit it on the head. It is hard work, but the attempt is not impossible.
Growing up, I had a terrible pudding-bowl haircut. I used to cut it myself, and I'd sew my own clothing, too. I looked a little strange compared to the other kids. But the thing was, I felt I looked amazing, so what other people thought never bothered me.
I have this table in my new house. They put this table in without asking. It was some weird nouveau riche marble table, and I hated it. But it was literally so heavy that it took a crane to move it. We would try to set up different things around it, but it never really worked. I realized that table was my ego. No matter what you put around it, under it, no matter who photographed it, the douchebaggery would always come through.
How many people have a family grave in the backyard? I'm sure I'll end up there, or I'll shrink my head and put it in a glass box in the living room. I'll get more tourists to Graceland that way.
My head is always up, and if I see some player in a better position, I give the ball to him automatically. Sometimes I need to be more egotistical and put my head down.
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