A Quote by Margo Jefferson
We Americans are childish about our celebrities and icons. We worship, then we denounce; we identify passionately with them and then, if they do something - anything - we dislike, we cast them off.
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Nothing is more debilitating than to care about something you can't do anything about. And you can't do anything about your adult children. You can want better for them, and maybe even begin to provide something for them, but in the long run, you cannot do anything about someone else's vibration other than hold them in the best light you can, mentally, and then project that to them. And sometimes, distance makes that much more possible than being up close to them.
We obsess about celebrities. We create them, build myths around them, and then hunt them and destroy them. I don't know where it's taking us or what it means, but I know we do it. I have seen a lot of it myself.
When I talk about celebrities, I don't dislike them - it's what they represent.
We are not anti-American. We do not dislike Americans though we abhor American imperialism in all its manifestations. But then, so do many Americans. Many of them have said that even more forthrightly than we have, and many of them have suffered more than any of us for their plain speaking.
If people feel strongly and passionately about something, I'll let them speak strongly and passionately - I'm not going to tell them not to.
Pictures are an escape. They should be bigger than life. In the same way, celebrities provide an escape from the mundane. They are photographed so we can worship them - so they are worthy of our worship.
What celebrities hope is that people identify not so much that they're particularly special or different, but they identify with them. We represent life in general, the guy who does whatever.
Those reformers who preach against image-worship, or what they denounce as idolatry - to them I say "Brothers, if you are fit to worship God-without-form discarding all external help, do so, but why do you condemn others who cannot do the same?"
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
When we stopped to rest and Tony tried to figure out what was wrong with his compass, I asked him what he thought it was about orchids that seduced humans so completely that they were compelled to steal them and worship them and try to breed new and specific kinds of them and then be willing to wait for nearly a decade for one of them to flower.
What's awesome about social media is you curate your own experience. That leads to the rise of niche celebrities, who are actually just as popular as mass celebrities, but because there's no incentive for traditional media to invest in them as celebrities, they find a home where people can follow them on Instagram.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
All cultures are different. Some commit genocide. Some are uniquely peaceful. Some have enormous hunting festivals or annual stretches when nobody speaks. Some don't use electricity. In American culture, we obsess about celebrities. We create them, build myths around them, and then hunt them and destroy them. I don't know where its taking us or what it means but I know we do it.
Suttas are not meant to be 'sacred scriptures' that tell us what to believe. One should read them, listen to them, think about them, contemplate them, and investigate the present reality, the present experience with them. Then, and only then, can one insightfully know the truth beyond words.
When you're having conversations about actors, you realize these same conversations have happened about you. If you want to make a film for $5m, then you cast A, B and C, but if you want $20m, you won't be able to cast them, you need X, Y and Z.
You know when sometimes you meet someone so beautiful — and then you actually talk with them, and five minutes later they're as dull as a brick. But then there's other people, and you meet them and you think: "Not bad, they're okay," and then you get to know them, and their face sort of becomes them, like their personality's written all over it; and they just — and they turn into something so beautiful.
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