A Quote by Margo Martindale
I loved Paris, Je T'aime. It's like my top favorite things I've ever done and I think it was a beautiful. I think it was a perfect seven minute movie, or whatever it was.
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I think that there has been a slow recognition that there's a mind at work here, and there's a skill and some bit of artistry, and that I could probably do other things. Otherwise, I don't know that I would've been given the opportunity to do Paris, Je T'Aime.
My theory in the '90s was that I didn't want to take a Jane Austen book I loved and reduce it to a 90-minute movie. The Emma Thompson-Ang Lee 'Sense and Sensibility' was beautiful, but other ones, I didn't think justice was being done. It's not a slam dunk to adapt these books.
She was a committed romantic and an anarcha-feminist. This was hard for her because it meant she couldn't blow up beautiful buildings. She knew the Eiffel Tower was a hideous symbol of phallic oppression but when ordered by her commander to detonate the lift so that no-one should unthinkingly scale an erection, her mind filled with young romantics gazing over Paris and opening aerograms that said Je t'aime.
I think one of my favorite things about Paris is the ever-present, nonstop beauty of the city. So I would just walk as much as possible.
Back in the '70s, like one of my favorite movies ever was 'The Bad News Bears', and that was a kids' movie, but I don't think of it that way. I think of it as just a great movie because Walter Matthau was so funny and so harsh with those kids.
I would really like to do a movie. Schedule-wise I don't know when exactly, but I think it would be great to do a Portlandia movie. Some of my favorite television shows have done it and they've been great. Like Monty Python. I think it would be great.
I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.
I loved you. I was a pentapod monster, but I loved you. I was despicable and brutal, and turpid, and everything, mais je t’aimais, je t’aimais!
I think what women are doing to themselves is that they're seeing these different images of perfection - the perfect wife, the perfect mother, the perfect career person, the perfect movie star - and they're somehow thinking that they should be all of these things, and that's the problem.
I think that a movie of a TV show is really tricky, and I don't know if it's ever really been done well. Because it's really hard if you have a 22-minute show, especially something like 'Party Down,' where it's all contained at the party.
I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.
I think when we lose somebody, when we interact with those things that they also loved - like, you listen to their favorite music, or you read their favorite books - it's just a way to get in touch with them and your memories of them.
My favorite movie of all time is 'The Silence of the Lambs.' I think Hannibal Lecter is the scariest movie monster ever because he's smarter than you are.
I think my favorite film of all time has to be 'The Illusionist' by Sylvain Chomet. Beautiful plot, beautiful story. You know, not much happens, but it's beautiful. And when I was young, 'The Triplets of Belleville' was one of my favorite movies. I liked his style a lot.
I think things can surprise you. I mean, I loved Instagram from the minute it started, but I think it surprised a lot of people how quickly it got huge.
We didn't want to do that. It would have been a beautiful moment in the movie but it would have brought the movie down. So Danny's vision was perfect I think when he wanted it to be driven at the same time having this new emotion about this boy coming as a hallucination or like a déjà vu and as the future kid.
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