A Quote by Margo Martindale

I played Big Mama in 'Cat on a Hot Tin Roof' when I was 20 years old at the University of Michigan. — © Margo Martindale
I played Big Mama in 'Cat on a Hot Tin Roof' when I was 20 years old at the University of Michigan.
I played Big Mama in Cat on a Hot Tin Roof when I was 20 years old at the University of Michigan.
In 'Cat on a Hot Tin Roof,' I couldn't take my eyes off Judith Anderson as Big Mama.
While you might see a cat on a hot tin roof, a dog on a hot tin roof would be yowling its head off.
Like a cat on a hot tin roof.
The big one I missed out on was 'Cat on a Hot Tin Roof.' MGM wanted me for it, and Warner Bros. wouldn't give me permission to do it.
Nothing's more determined than a cat on a hot tin roof.
What is the victory of a cat on a hot tin roof? - I wish I knew... Just staying on it, I guess, as long as she can.
I was the first African-American woman to play Maggie in 'Cat on a Hot Tin Roof.' It was at the Virginia State Theatre, and we turned Richmond upside down.
I grew up in a small town, in a small community, and I would not have had access to great plays when I was a kid were it not for the films of 'Who's Afraid of Virginia Woolf?' and 'Cat on a Hot Tin Roof.'
When I was a kid I used to go to the movies, double features in outdoor theaters, and my parents used to take us to see like, 'Cat On a Hot Tin Roof' or something like that, with Elizabeth Taylor.
I used to come down from New Rochelle and go to Radio City. They'd have a floor show and a movie. I'm showing my age, but I saw 'Cat on a Hot Tin Roof' and 'Broken Arrow' with Jimmy Stewart. It was a great way for a kid to see a movie.
But do let me reiterate the spirit of Michigan. It is based upon a deathless loyalty to Michigan and all her ways; an enthusiasm that makes it second nature for Michigan men to spread the gospel of their university to the world's distant outposts; a conviction that nowhere is there a better university, in any way, than this Michigan of ours.
My first memory of playing music was when I was 3 years old in Puerto Rico. I played percussion on a tin can behind my uncle, who played the cuatro.
Steve Bruce is like a cat on hot tin bricks.
I did a show where I played the mother of a 15-year-old, I was 20 years old when I played a mom of 45. And then, when I was around 28-30, I played mother to Akshay Kumar. So I got typecast very early, if I didn't even have to reach a certain age point.
On the mainland, a rain was falling. The famous Seattle rain. The thin, gray rain that toadstools love. The persistent rain that knows every hidden entrance into collar and shopping bag. The quiet rain that can rust a tin roof without the tin roof making a sound in protest. The shamanic rain that feeds the imagination. The rain that seems actually a secret language, whispering, like the ecstasy of primitives, of the essence of things.
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