A Quote by Margo Martindale
I love television because it's the most alive, because you don't know how it's going to end. It's a living thing. Sometimes the writers are watching you to see how things will unfold. Sometimes the writers have written it, and you come to it, and they have to change their way of going because of what you've done.
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At the very end, without memory we are nothing. The things you say; the way you feel; the way you act in certain situations... it's because you have a memory of something. Imagine we are building the biggest, most solid room that we could ever have. And sometimes you need to work on it, because thoughts turn into memories. Sometimes they will start to create dreams and realities, and what actually happened changes inside yourself during the years. I think that's how to preserve reality; we change it so it stays alive. The thoughts may change, but the feeling remains.
I'm not saying I'm going to rule the world, I'm going to change the world. But I guarantee I will spark the brain that will change the world. And that's our job. It's to spark somebody else watching us. We might not be the one, but let's not be selfish. And because we['re] not going to change the world, not talk about how we should change it. I don't know how to change it. But I know if I keep talking about how dirty it is out here, somebody's going to clean it up!
The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
Writing is not a great profession as a lot of writers proclaim. I write because this is something I can do. Another thing—very often I think a lot of writers write because they have failed to do other things. How many writers can’t drive? A lot. They’re not practical. They are not capable in everyday life.
Material success is rewarding and a lot of fun, but it's not the most important thing in my life because I know when this is all over, the Master isn't going to ask me how many things I owned or how many television shows I did. I think the questions will be, What did I do to make a difference? Did I learn to live with love in my heart?
There is a thing where I get scared watching other people, and really realize, My God, their happy lives are going to stop. Sometimes you feel that people have 19 jokers in their back pocket and, because of the way they're living, you're like, Do you know that this is not going to happen over and over again forever?
I am suspicious of writers who go looking for issues to address. Writers are neither preachers nor journalists. Journalists know much more than most writers about what's going on in the world. And if you want to change things, you do journalism.
People are put down in television now, not because they're not qualitative, not because they're not talented - but because there's no room for them, and worse than that, there's nowhere they can find exposure. Their own good talent may die of mourning, just for want of having somebody read what they've written. I don't presume to say how we can best provide platforms for new writers to get read. I don't know. But therein lies the major problem.
If you look at most womens writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writers description of a female character are, perhaps, a little more judgmental. Theyre looking for certain things, because they know what women do to look a certain way.
The first single I released, 'Anything Goes,' is probably one of the best-written songs I've heard in a long time. It takes somebody knowing who you are. Sometimes writers know who an artist is and what they want to say and how they sing. I will never be opposed to cutting a song if somebody nails my life and what I'm going through.
They didn't know why these things were funny. Sometimes you laugh because you've got no more room for crying. Sometimes you laugh because table manners on a beach are funny. And sometimes you laugh because you're alive, when you really shouldn't be.
Since I was a kid, I've liked to see how things are done. Sometimes when you see how things are done, it's like watching a 'making of' within the story. You see the physical aspect, the construction of things.
Because also, sometimes things that are really funny on the day, when you look at them in post can feel too broad, you know? Sometimes not, but it's kind of weird how that can change.
The other great thing about it, that seems to be the case in streaming, is that a lot more scripts are written before you start. Because they are planning on allowing it all up at one time, you have four or five scripts to read and an outline of where it's going to go. The writers aren't chasing their tails as much. You're able to see the beginning, middle and end of a storyline, and that is rare. Streaming allows that, in a way that network TV doesn't.
I struggle with my training sometimes. The thing I look at is if you keep getting up and moving forward, you'll be successful. That's the way I've lived my life. I'm not going to stop doing something because somebody says it's time. I'm going to stop it when my body says it's over or the fans say, 'we're done watching you.'
I find going back through things sometimes exhilarating because I find things I didn't know I had, and sometimes it's very off putting because there are things I never quite finished, and there's nothing at all to do about it now.
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