A Quote by Margo Martindale

I had done plays all my life. Many, many, many plays, off-Broadway plays. — © Margo Martindale
I had done plays all my life. Many, many, many plays, off-Broadway plays.
There weren't many plays for me. A lot of my stats came off broken plays, or when I didn't allow the options to play out and just took the shot.
When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.
After I left Yale, we were all doing these mad plays off - off Broadway. And I got back to that feeling I had from college, of everyone making up in front of one cracked mirror, which is what I loved - the scrappy theater idea. I think off-off Broadway healed me, made me an actor again, and I was in so many different crazy shows.
In my view the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
In my view, the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
Eric Clapton was such a great player. He sounds like he's Freddie King or someone like that. He plays the roots of blues and Delta blues. He really affected me with the way that he plays, because he never really plays that many notes.
I spent so many years of my life as a stage actor and when you do all these plays, a lot of really great plays are very politically driven. They deal with deep social issues, and that's the kind of stuff that I love, as an audience member.
During one of the 4th quarter huddles, LeBron said to him, 'It doesn't matter what happens to this point. No one is going to remember how many points you had or what type of game you had. Just help us make some plays to win this thing.' And he made some big plays.
I think in this country we're committed to developing plays, and many plays I've seen have been rewritten too much. The scenes are tight, the play ends at the right time, you know exactly what the scene is about, but it seems flat; you can almost see that too many hands have been on the play. The individual voice is gone.
Despite the digital age, there is a very large number of venues and spaces that are looking for plays, and many of them are looking for new plays.
As a student in London, I had seen so many shows, so many plays and had seen so many greats of the day.
When I got out of school, I just started doing plays of the off-off-Broadway route, and for many years, that's what I did, slowly doing work in tiny theaters, building relationships with people in the business. It's not a showy story.
Many actors in films are willing to go to Broadway, and screenwriters are writing plays. It's almost commonplace.
In that film, the man and the part met. As far as I'm concerned, that part is Greg's for life. I've had many, many offers to turn it into musicals, into TV or stage plays, but I've always refused.
I'd love to do theater. I've done so many plays in my life. I still think of that as my main thing.
So many American plays are about family. When you're in the first part of your life, you write about family a lot. I find with my absurdist plays that I was actually writing about my family, but so disguised I didn't realize it myself.
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