A Quote by Margot Robbie

I was always very dramatic - my family would probably use the word 'dramatic' - as a child; always putting on performances, making everyone come watch, and pay to watch. I was very business-savvy as a child.
People are drawn to watching things that are dramatic. And the tighter a relationship is, the more dramatic it can be. That's something family lends itself to. Everybody has family, somewhere, somehow. Those relationships are always very complex. This takes it to almost Greek-tragedy-level heights. That's fun to watch, although it's very uncomfortable. It explores the darkest sense of family.
I was a dramatic kid. I was always like, 'Watch me put on my play, Mom and Dad! You have to watch me put on all these outfits and do this play!' But my family is very academic and straightforward and normal Midwestern people, so the idea that I could act as an actual job wasn't really there.
I wouldn't just come home from school and watch TV everyday, they had me involved in lots of local theatre. I was a very dramatic, talkative child. And that was part of my mother's creative solution - to put me in workshops and classes and children's theatre programmes.
Gareth [Edwards] was very much about including everyone in what we were making, so he would cut together different scenes to show us what we were making. And the crew, cast, everyone would go into a theater there at Pinewood Studios and watch 10 minutes of what we were making. It was always so exciting. It looked amazing, and the music was huge.
When I grew up in the Bronx, we always had everyone telling us, 'Watch out for the system, watch out for child welfare, watch out, they'll get you,' and I grew up with this feeling of, 'Society is over there and they're dangerous and not safe.'
Liberia is not at the center of a massive geopolitical game. Afghanistan is and has always been. The history is dramatic, the politics are dramatic, the landscape is incredibly dramatic.
Making a film is like raising a child. You cannot raise a child to be liked by everyone. You raise a child to excel, and you teach the child to be true to his own nature. There will be people who'll dislike your child because he or she is who they are, and there will be people who'll love your child immensely for the very same reason.
I sit down with my coach to watch past performances. But I can be very critical. I don't watch myself very often - it makes me cringe!
I have three kids. Now they're all grown up, but when they were little, every time I would start a new project, they would say, 'So dad, are you making a movie we can watch or one we cannot watch?' That's the kind of stuff they would ask. People around me - family and friends - usually know when to watch and when not to watch.
Obsession is such a naughty word - it's a very intense word. I'm obsessed with music, always have been. I can't lie. And I'm obviously obsessed with my child, my child's life and the little things that he does.
I was never the class clown or anything like that. When I was growing up and doing theatre in Seattle I was always doing very dramatic work. Now I can't get a dramatic role to save my life!
I was never the class clown or anything like that. When I was growing up and doing theatre in Seattle I was always doing very dramatic work... Now I can’t get a dramatic role to save my life!
I have always said, even before I ever did TV, that I have a very dramatic family.
We always sat down as a family to watch the federal budget, even as a young child.
I really don't like watching myself and for the most part I will never watch myself. I worked with Kevin Smith on Yoga Hosers and I really respected the way that he directed. He told me, "It's very important to watch yourself." So he would direct by going, "Hey come over to the screen and watch this scene." And so it was very uncomfortable for me to have to watch myself but then he talked me through the process of that and it was very helpful.
My mother said I was always an intense child, a very sensitive child. So that probably helped the emotions to be very present. I was just a big thinker. I would evaluate and analyze and feel and cry and discuss and be angry. All of those emotions were very surface for me.
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