A Quote by Margot Robbie

That's precisely what we do as actors: try to convince the audience we are somebody else. And if you can do that, you are really doing something. — © Margot Robbie
That's precisely what we do as actors: try to convince the audience we are somebody else. And if you can do that, you are really doing something.
What’s this? What are the antagonists doing here – infiltrating their own audience? Well, they’re not really. It’s somebody else’s audience at the moment, and these nightly spectacles are an appreciable part of the darkside hours of life of the rocket capital. The chances for any paradox here, really, are less than you think.
I'm supposed to convince you, for two hours, that I'm somebody else. Now if you know everything about my life, if you think you've got me figured out and you think you know all my dark secrets, how am I ever going to convince you that I'm somebody else?
I can try to convince somebody else of my beliefs, but I should not be imposing.
Why antagonize somebody for no reason? Why try to garner attention by doing something negative? Why not do something positive on your own merits, instead of somebody else, whether it's to try to antagonize them or draw their ire, or even to have them help you out.
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
I always figure, you come to a party, you gotta know somebody. And somebody leads to another person and leads to somebody else, somebody else. That's one of things that I really enjoy doing.
There's something really special for a young person to sit in an audience and discover somebody, and it's rare to do because so much of a movie's economics are based on pre-existing actors or actresses.
I don't really know how it feels to hate on somebody else or just worry about what somebody else is doing.
As an actor, I think it's really important to be as anonymous as possible. It's your job to convince people that you are somebody else, and so any recognition I'd get away from the screen - well, it's not something I actively seek. To be honest with you, I'm surprised anybody does.
Before you try to convince anyone else, be sure you are convinced, and if you cannot convince yourself, drop the subject.
When somebody does something which everybody really wants to do, then it makes everyone else try a little bit harder and strive for something better, and it's good.
I think so much of a director's job is just to convince you that what you're doing is worthwhile. "Yes, this does mean something, we're not just messing around." Even though at the end of the day it's a film. But at the time it's something else. I don't feel like I'm making a film, I'm confronting things in myself. I don't know what it is. So if someone is enthusiastic enough to convince you that it's important it's kind of magical.
I've... learned that it's a hell of a lot easier to just build something than to try to convince somebody who doesn't believe it's possible.
Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.
Television executives only commission something that somebody else has already commissioned that's doing well on another station - they're afraid of expecting an audience to concentrate for longer than three minutes on any particular item.
Spiritual Balance is the obvious answer to the obsession that sometimes accompanies religious practice, occult practice, philosophical understandings - the assertion that one is right - that something that you're doing is better than something somebody else is doing, the way you're doing it is better than the way someone else is doing it.
This site uses cookies to ensure you get the best experience. More info...
Got it!