A Quote by Margot Robbie

Ironically, I don't like having cameras in my face. — © Margot Robbie
Ironically, I don't like having cameras in my face.
I'm used to having big movie cameras in my face, I pretend that they're not there. But I actually like being on my own, I like being in the space.
I'm used to having big movie cameras in my face; I pretend that they're not there.
When I was asked to be a part of 'The Face,' I was like, 'This is exactly what I do without cameras.' I didn't find it any different than what I usually do for young girls - giving runway tips or just explaining how the whole industry works - but now you have, like, 19 cameras on you, documenting you while you scratch your nose.
Having a hearing is educational. Having a hearing with television cameras is useful. Having a hearing with two rows of television cameras is Heaven.
Sometimes there are four or five cameras in front of your face moving all over the place, and you have to try to see the person in between the cameras, and a sane person would go, "I can't do this."
I've had cameras on me since I started the art of fighting and I think that I'm used to having cameras on me in adrenaline-type situations.
I just think that we're living in a world where the technology is advancing so rapidly. You're having cameras that are capable of more and more - the resolution on cameras is jumping up.
'Mars Needs Moms' was motion capture, where you walk into a space that's essentially a black box with cameras everywhere. It was so technical. You have these mandibles with cameras on your face and a helmet, and you have to hit certain marks. You couldn't shoot this stuff without the green-screen aspect.
Putin has this ritual of having the televised meetings with ministers. Cameras will be allowed in to film the first five minutes of a meeting that is conducted entirely for the cameras. We don't even know whether the meeting then goes on.
I wasn't used to all these cameras getting stuck in my face. I feel like Justin Bieber sometimes.
I think there are two different types of people in television. There are people who can turn it on like a switch when the cameras go on, and then, when the cameras go off, they kind of lower it down a little bit. And then there are people who are on all the time, no matter if the cameras are there or not.
From analog film cameras to digital cameras to iPhone cameras, it has become progressively easier to take and store photographs. Today, we don't even think twice about snapping a shot.
I like using snapshot cameras because they're idiot-proof. I have bad eyesight, and I'm no good at focusing big cameras.
Should there be cameras everywhere in outdoor streets? My personal view is having cameras in inner cities is a very good thing. In the case of London, petty crime has gone down. They catch terrorists because of it. And if something really bad happens, most of the time you can figure out who did it.
I think that that's something that's pretty interesting about a GoPro - it's the one camera that we know of that you can combine with like cameras to form new cameras. So it's a bit of a modular system.
A lot of the stuff in 'Speed Racer' has never been done before, from it having a multi-tone, to it having a retro-cool family movie, to having the photo-realism with the CG-backgrounds and infinite focus the way they worked with these digital cameras, to even the color experimentation.
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