A Quote by Margot Robbie
Initially I thought: 'I would never get cast opposite Will Smith! No one would ever buy it with the age difference, our personalities.' I can't think of a couple that makes less sense in every way, shape and form.
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Everyone in show business makes these sweeping, "I'll never work with so-and-so again," because that's the way you feel at the moment. It's a business where there really is no point in ever saying never. There are people I've sworn that I would never go near again, and then you see an interesting role that would put you opposite that person and you think, "Well, we'll work together, maybe they were having a bad year."
We are, in a certain way, defined as much by our potential as by its expression. There is a great difference between an acorn and a little bit of wood carved into an acorn shape, a difference not always readily apparent to the naked eye. The difference is there even if the acorn never has the opportunity to plant itself and become an oak. Remembering its potential changes the way in which we think of the acorn and react to it. How we value it. If an acorn were conscious, knowing its potential would change the way that it might think and feel about itself.
I created a human being from paper and I put it on the screen, a unique individual. I wish every performance, every IMDB credit, I would do it over, because I would do it better, because I would do it less. If that makes any sense.
Go first to your Highest Thought about yourself. Imagine the you that you would be if you lived that thought every day. Imagine what you would think, do, and say, and how you would respond to what others would do and say. Do you see any difference between that projection and what you think, do, and say now?
I couldn't love anyone more than I do you, it would kill me. And I couldn't love anyone less because it would always feel like less. Even if I loved some other girl, that's all I would ever think about, the difference between loving her and loving you.
Without self-knowledge you have no root in yourselves personally; you may endure for a time, but under affliction or persecution your faith will not last. This is why many in this age (and in every age) become infidels, heretics, schismatics, disloyal despisers of the Church. They cast off the form of truth, because it never has been to them more than a form. They endure not, because they never have tasted that the Lord is gracious; and they never have had experience of His power and love, because they have never known their own weakness and need.
It was never a case of male and female when I was growing up. I played with my cousins, my friends. From a young age, I played on the local streets, just with my neighbours. The majority would be boys, but a couple would be girls, so I never really thought too hard about it.
I did not consider that I would lead a literary life. I'd thought initially, as a young girl, that I would be a teacher, since I so admired many of my teachers. And though I loved writing, I did not ever think of myself as a writer.
Think of being curled up and floating in a darkness. Even if you could think, even if you had an imagination, would you ever imagine its opposite, this miraculous world the Asian Taoists call the "Ten Thousand Things"? And if the darkness just got darker? And then you were dead? What would you care? How would you eve know the difference?
When we met, I never thought in a million years that Will Smith and I would be together.
It makes no sense for us to consider going back there and getting involved in what truly is a religious civil war. What real difference would it make on the ground? And secondly, is it in the best interests of the United States to do that? I would say that those questions are not being answered in a compelling way that would cause me to support that.
The soul is the form of the body, but not as the shape of a statue is formatio et terminatio materiae, for form does not exist apart from material. There is no whiteness without a white object. But the soul is not a form in this simple sense, and in particular, is not the shape of the material it informs. Therefore, the shape of a being does not affect the being's soul, for then something lower would inform something higher, which is impossible.
There's not a lot of whimsicality in the form, not a lot of indulgence allowed. Like when I was younger, I would sometimes go, "Oh, every other section will be narrated by a chair." Or, "It will be a double helix shape!" That never really worked.
I never thought that 'Atlanta' would go off and do what it was gonna do. I never thought that I would get recognized for that show the way that I have been.
We feel an affinity with a certain thinker because we agree with him; or because he shows us what we were already thinking; or because he shows us in a more articulate form what we were already thinking; or because he shows us what we were on the point of thinking; or what we would sooner or later have thought; or what we would have thought much later if we hadn’t read it now; or what we would have been likely to think but never would have thought if we hadn’t read it now; or what we would have liked to think but never would have thought if we hadn’t read it now.
Sin aims always at the utmost; every time it rises up to tempt or entice, if it has its own way it will go out to the utmost sin in that kind. Every unclean thought or glance would be adultery if it could, every thought of unbelief would be atheism if allowed to develop. Every rise of lust, if it has its way reaches the height of villainy; it is like the grave that is never satisfied. The deceitfulness of sin is seen in that it is modest in its first proposals but when it prevails it hardens men’s hearts, and brings them to ruin.
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