A Quote by Marguerite Duras
Finding yourself in a hole, at the bottom of a hole, in almost total solitude, and discovering that only writing can save you. To be without the slightest subject for a book, the slightest idea for a book, is to find yourself, once again, before a book. A vast emptiness. A possible book. Before nothing. Before something like living, naked writing, like something terrible, terrible to overcome.
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If someone's going to publish a book about addiction, it has to say something new and different. It has to be something we haven't read before. A lot of these books are published because the writing is wonderful. The Frey book has superb writing, and that can be enough to sell a book.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
You take a book, and what can you do with a book? Can you cook an egg on a book? No. Can you dig a hole? No. Is it a good weapon? No. The fact that it's good for nothing kind of makes it almost all-important.
You have to remember that Shadow and Bone' was the first book I sold. And it was, in fact, the first book I ever finished writing, despite many attempts before that to finish a novel. And when I was writing it, I didn't know if anybody was going to buy one book, let alone all three.
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
I began writing books after speaking for several years and I realize that when you have a written book people think that you're smarter than you really are if I can joke. But it's interesting. People will buy your book and hire you without reading the book just because you have a book and you have a book on a subject that they think is of interest to themselves or e to their company.
I've published one book before, and now I'm writing a book of essays and stories about life in Tokyo. And I have one book coming out in May in Germany, about fitness.
You will want a book which contains not man's thoughts, but God's - not a book that may amuse you, but a book that can save you - not even a book that can instruct you, but a book on which you can venture an eternity - not only a book which can give relief to your spirit, but redemption to your soul - a book which contains salvation, and conveys it to you, one which shall at once be the Saviour's book and the sinner's.
What I would like to write is a book about nothing, a book without exterior attachments, which would be held together by the innerforce of its style, as the earth without support is held in the air--a book that would have almost no subject or at least in which the subject would be almost invisible.
Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.
Most authors liken the struggle of writing to something mighty and macho, like wrestling a bear. Writing a book is nothing like that. It is a small, slow crawl to the finish line. Honestly, I have moments when I don't even care if anyone reads this book. I just want to finish it.
My wife gave me a book before we got married, Oh, the Places You'll Go!, by Dr. Seuss. She was trying to tell me something, about what I was capable of, but I didn't get it. Over time, I've sort of lived the message in that book, and I couldn't have without what golf taught me. So I put it in my bag while I played the Old Course, and on the last hole when I posed on the Swilcan Bridge, I held it up.
There's something special about writing by hand, writing with a fountain pen, and there's something special about writing into a book, to take a blank book and turn it into an actual book.
I think a conceptual idea comes to me first - something I've been mulling over a lot right before I feel like writing a book - and then the characters start to develop around it.
Ever since I was young, 14 or 15, I wondered if you could write a book that combined the visceral thrill of watching a movie with the total immersion you feel when you're inside a good book. And I had some success as a screenwriter before I began writing books.
Sometimes, readers, when they're young, are given, say, a book like 'Moby Dick' to read. And it is an interesting, complicated book, but it's not something that somebody who has never read a book before should be given as an example of why you'll really love to read, necessarily.
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