A Quote by Marguerite Duras

Journalism without a moral position is impossible. Every journalist is a moralist. It's absolutely unavoidable. A journalist is someone who looks at the world and the way it works, someone who takes a close look at things every day and reports what she sees, someone who represents the world, the event, for others. She cannot do her work without judging what she sees.
Journalism without a moral position is impossible. Every journalist is a moralist. It's absolutely unavoidable.
Not exactly. I see a girl who wants to present someone special to the world. Someone beautiful. The pinnacle of beauty. But she has lost her hold on reality. Real beauty isn’t thin. It isn’t size two, unless you happen to be four foot ten. What the world sees when they look at you is someone who believes self-worth is all about how she looks, and that very often means that what she’s missing is love. Not someone else’s love. But love and respect for herself.
Even someone who works with me, like this girl who works with me, her name is Sue. She lives with me and holds the fort; she takes care of all these little things. She takes care of the money situation, and I would not be able to live without someone like that.
Not that she didn't love almost every boy she'd ever met, and not that every boy in the world didn't totally love her. It was impossible not to. But she wanted someone to love her and shower her with attention the way only a boy who was completely in love with her could. The rare sort of love. True love. The kind of love she'd never had.
When my daughter looks at me, she sees a small old lady. That is because she sees only with her outside eyes. She has no chuming, no inside knowing of things. If she had chuming she would see a tiger lady. And she would have careful fear.
I stare at her. I've always known that it's impossible to argue with Belinda, not because she's particularly good at it, but because she's so bad at it- that there is no common ground to work from. She simply sees the world she wants to see it and no amount of logic can change her mind.
She stared at herself in the mirror. Her eyes were dark, almost black, filled with pain. She'd let someone do that to her. She'd known all along she felt things too deeply. She became attached. She didn't want a lover who could walk away from her, because she could never do that - love someone completely and survive intact if her left her.
I do a lot of work in travel and tourism, and I think this story is in the book. This woman is in a hammock, and she's got the beach below her and the sky above her, and the ocean beyond her. She's relaxing. She's got a drink in her hand and a book. Every woman sees this picture and says, I want to be in that hammock. Every guy sees the picture and says, I want to be in that hammock with that woman. It works for everybody.
I think there's an element in Milady where she sees her own innocence in D'Artagnan. In the very beginning, she's using him in a pretty cynical way. When she gets to know him, she sees qualities in him that she recognizes and it's almost like trying to remake the past, but of course, it doesn't work.
And then she told me she didn’t want someone who needed her in order to be a better guy. She wanted someone who was better by himself, with or without her.
I think I look for a muse in women. Someone I can just picture in my mind. Someone who respects herself and others. It isn't so much the things she says, it's mainly what she does. That's what make her all the more beautiful.
She could see the name Fukamachi on a shiny name-plate by the door of the house, but it was a name that meant nothing to Kazuko. And at that moment, in her heart, she began to dream of meeting someone. Someone special who would one day walk into her life. Someone she would instantly feel she had known for years. Someone who would feel the same about her.
Voodoo Girl Her skin is white cloth, and she's all sewn apart and she has many colored pins sticking out of her heart. She has many different zombies who are deeply in her trance. She even has a zombie who was originally from France. But she knows she has a curse on her, a curse she cannot win. For if someone gets too close to her, the pins stick farther in.
I think she [Michelle Obama] is reluctant to date someone she's above at work. It's 1989, she's at a law firm, surrounded by mostly white men, and she has to prove herself every day.
It’s a risk I’m willing to take. This happens once in a lifetime. You meet someone and have this crazy reaction … you touch her skin and it’s the best skin you’ve ever felt, and no perfume on earth could be better than her smell, and you know you could never be bored with her because she’s interesting even when she’s doing nothing. Even without knowing everything about her, you get her. You know who she is, and it works for you on every level.
How she still thought of Max every day and it was like someone had emptied her lungs of air, and she would catch at her heart, afraid she was dying.
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