A Quote by Marguerite Moreau
I keep every script from every film that I ever made because it's like a workbook of that time in my life.
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Every film I've made has a kind of frustrated love story in the center of it. They were people who saw life from opposing points of view, which has been in every film I've ever done. It had all the ingredients of the kinds of films I like to do.
Yeah, I think the arts and literature have always been irrevocably connected. Because if you think about it, every film script, every play, every song starts as words on the page before it is ever performed or filmed or sung.
Don't ever believe that you are going to be peaceful-life is not like that. When you are changing all the time, you've got to continue to keep adjusting to change, which means that you are going to be constantly facing new obstacles. That's the joy of living. And once you are involved in the process of becoming, there is no stopping. You're doomed! You're gone! But what a fantastic journey! Every day is new. Every flower is new. Every face is new. Everything in the world is new, every morning of your life. Stop seeing it as a drag!
I ideally would like to do three films every year. Every day, I pray for it. But I should like a script before I sign on a film.
There were timelines branching and branching, a mega-universe of universes, millions more every minute. Billions? Trillions? The universe split every time someone made a decision. Split, so that every decision ever made could go both ways. Every choice made by every man, woman, and child was reversed in the universe next door.
I know certainly, when one job draws to a close, that I feel I'm simply never going to work again. No one will ever want me for anything ever again. I think that's a vulnerable moment in every actor's life, and it happens every time you finish a film.
"On Script" is one of my favorite songs I've ever written. I'd just been jamming on it one day, and again I was struggling with lyrics. I'm still figuring out what it's about. I've seen a couple of reviews that are like, "It's about the monotony of playing the same songs every night," because I say, "On script every night/Like a well-rehearsed stage show." It's not about that at all, but I find that funny, how people project what they think about me, or songwriters in general.
I'm not a walking encyclopedia. I'm not one of those types that knows every single film ever made or can recite every dialog.
Not every director does this, but I did: I made a list of every shot you're going to set up for every scene in the script.
I have scars from every film I have made. There is nothing to protect actors. They treat you worse than a dog. You work like a slave, and you know, I like it. That is the way it should be. Every film should be like your last.
Just keep acting is my plan, I just want to keep going for as long as I can. I've had a fantastic time on Potter, I will be very sad to leave it because every time I look back on one of these films, every scene I watch will be forever linked to a memory of what happened that day or something that was happening around that time in my life.
I kind of went into soap opera with 'General Hospital' in the '80s. It's like theater because every day it's a new script, which really doesn't have a beginning, middle or end like a play or a movie script. So you have to be on your toes and bring it every day. And you have to be spontaneous, which is really how I like to work.
I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.
After I made my first short film that wasn't terrible, people were interested in potentially developing a feature with me. Every time I read a script, it was a bizarre, too-dark, genre-less thing that no one wanted to make.
So today we celebrate the gift of victory over every fall we have ever experienced, every sorrow we have ever known, every discouragement we have ever had, every fear we have ever faced-to say nothing of our resurrection from death and forgiveness for our sins. That victory is available to us because of events that transpired on a weekend precisely like this nearly two millennia ago in Jerusalem.
Every film teaches you something; every experience on every film set with every co-star teaches you something. You learn something new. I think the challenge is to keep working harder and doing better.
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