A Quote by Marguerite Yourcenar

A touch of madness is, I think, almost always necessary for constructing a destiny. — © Marguerite Yourcenar
A touch of madness is, I think, almost always necessary for constructing a destiny.
Two things are necessary for success in life; one is a sense of purpose and the other, a touch of madness.
If he waits for the ideal moment, he will never set off; he requires a touch of madness to take the next step. The warrior uses that touch of madness. For - in both love and war - it is impossible to foresee everything.
I think the big danger of madness is not madness itself, but the habit of madness. What I discovered during the time I spent in the asylum is that I could choose madness and spend my whole life without working, doing nothing, pretending to be mad. It was a very strong temptation.
I began thinking about why am I constructing almost a shadow father or ghost father in my head into Graham Greene in response to the father who created me? What's going on here? I think a part of my sense is it's every boy's story. When we are kids, we imagine that to define ourselves or to find ourselves means charting your own individuality, making your own destiny and actually running away from your parents and your home and what you grew up with.
He knew that Hop-Frog was not fond of wine; for it excited the poor cripple almost to madness; and madness is no comfortable feeling.
I believe that always, or almost always, in all childhoods and in all the lives that follow them, the mother represents madness. Our mothers always remain the strangest, craziest people we've ever met.
Writers, especially poets, are particularly prone to madness. There exists a striking association between creativity and manic depression. Why are more creative people prone to madness? They have more than average amounts of energies and abilities to see things in a fresh and original way—then because they also have depression, I think they’re more in touch with human suffering.
Both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in his life: i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
People always ask me how I manage to find humor in so much bleakness. I think this is almost a necessary skill to have.
In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.
'Fill Me In' went to number one at the same time Destiny's Child released 'Say My Name.' Having a number one over Destiny's Child at their peak was just madness to me.
Invention consists in avoiding the constructing of useless contraptions and in constructing the useful combinations which are in infinite minority.
For us, destiny always feels... if you obey, it's almost a passive thing.
I almost think it is the ultimate destiny of science to exterminate the human race.
In an age of madness, to expect to be untouched by madness is a form of madness. But the pursuit of sanity can be a form of madness, too
I'm interested in characters that have just a touch of madness.
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