A Quote by Maria Bamford

I express things through characters because I have a fear that my own voice is irritating because thats been said to me. — © Maria Bamford
I express things through characters because I have a fear that my own voice is irritating because thats been said to me.
I express things through characters because I have a fear that my own voice is irritating because that's been said to me.
I have to make sure that I don't silence myself about the things that I believe in, because sometimes the fear creeps in of 'What if fewer people watch the show or fewer people hire me because I express my politics?' For me, the commitment is to never be quiet just because I'm in the public eye.
When it comes to stand-up, people feel this need to voice their objection through groaning or being offended. It's really irritating... I mean I love what I do, but that's the irritating side of it.
Dance has always been a really important thing for me, so being able to physically express the characters through music and dance is like another layer to things.
It's incredible when women tell me that they've read things that I've said or have been inspired by things that I've done. To hear them say that because of something I did, they felt more positive about themselves and or had more of a voice to stand up for things that were right. It's been empowering for me to be able to help other women feel that way about themselves.
What has started to interest me is how you use all the different disciplines and tools we have at our disposal, and that includes going into different art forms, like music and movement, because often they can tap into things that characters can't necessarily express through words. Audiences really enjoy that total experience.
On the stage, the characters express themselves more through words than images. So the arguments of the characters and the tension between characters - words have to be used to express that, and I love that about theater.
I've done a lot of shows over a long time, and I've lost my voice on plays before, and it's because I've been thinking closely about what I'm doing with my voice. Babies can scream all day and never lose their voice because they just mean it. As long as you mean it, then it carries you through. It's do it or don't.
Stage fright is my worst problem. A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations.
Acting has always been a way for me to express myself, and show all my vulnerabilities and flaws through my characters.
I think at some level, it's just alchemy that we, as writers, can't explain when we write the characters. I don't set out to create the characters - they're not, to me, collections of quirks that I can put together. I discover the characters, instead. I usually go through a standard set of interview questions with the character in the beginning and ask the vital stuff: What's important to you? What do you love? Hate? Fear? .. and then I know where to start. But the characters just grow on their own, at a certain point. And start surprising me.
The next time you encounter fear, consider yourself lucky. This is where the courage comes in. Usually we think that brave people have no fear. The truth is that they are intimate with fear. When I was first married, my husband said I was one of the bravest people he knew. When I asked him why, he said because I was a complete coward but went ahead and did things anyhow.
When I was 12, I was going through an awkward time. Writing music helped me find my voice and express the things I was feeling.
I like music because... its expressive, you can convey whatever you're thinking through a song. And it's the best respite for me anyway to do it through music. So I like music because you can express and let your soul out through it.
I-" said Nick, his voice halting. "I don't mind it as much when - when people touch me. Some people." Mae looked down, and Nick, who looked more relaxed when he'd been stabbed, slowly lifted his hand from his chest and laid it on the tumbled sheets between them, fingers half-curled into his palm. He was still regarding the ceiling with a fixed glare. "Because you trust them not to hurt you?" Mae asked tentatively. "No," Nick said, his voice harsh. "Because I'd let them hurt me.
It's not the way Zane looks, David," she said, her voice trembling with anger. "It's because he makes me bubbly, and because we took a lot of risks together. It could just as easily be me lying there, and he would stay with me if it was." "It's just programming!" "No. It's because I love him.
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