A Quote by Maria Bamford

I find it creatively satisfying to write material and say it out loud in a public place, whether or not anyone's listening. — © Maria Bamford
I find it creatively satisfying to write material and say it out loud in a public place, whether or not anyone's listening.
Anyone can pick up an instrument if they want to express themselves or write a song and put it on YouTube. It's always technology that comes and turns around how we think creatively and what we do creatively.
Whether you're with a group of people, whether you're playing music or whether you're by yourself, even if it's written material, you have to be listening.
When I say 'publishing is the new literacy,' I don't mean there's no role for curation, for improving material, for editing material, for fact-checking material. I mean literally, the act of putting something out in public used to be reserved in the same way.
I'll make music, whether or not anyone is listening, for the rest of my life. It's a natural form of expression for me, the same way I draw and write and sing.
I didn't really - at least intellectually and creatively - have a particularly compelling experience in college. But during my junior year, they made the TED talks public. So I started listening to them. They were producing one per day, and I was listening to one per day, every day, at the gym.
My writing, such as it is, grows out of my sense of discolation, I mean, dislocation. Having lost my place, I write to find my place, or to find once again that I have lost my place.
Well, when I am fifty-three or so I would like to write a novel as good as Persuasion but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say, 'Collecting material'. No one can object to that.
It's not an easy place to be - to write a horror film. You go down the stairs to the dark to find these characters. It's not a place anyone can go, and sometimes it's not a place that you want to go.
I'm not sure I'll find acting satisfying creatively forever. If you get the good roles, it's great - if you have the freedom to choose your projects and not just do anything and everything.
Im not sure Ill find acting satisfying creatively forever. If you get the good roles, its great - if you have the freedom to choose your projects and not just do anything and everything.
Writing isn't just on the page; it's voices in the reader's head. Read what you write out loud to someone-anyone-and you will catch all kinds of things.
Write regularly, day in and day out, at whatever times of day you find that you write best. Don't wait till you feel that you are in the mood. Write, whether you are feeling inclined to write or not.
I come by writing dialogue fairly naturally, I've got a chatty family; I'm a bit of a voyeur, and if I'm ever in a public place, I automatically find myself listening.
The public is never wrong. When people don’t respond to what you do, they’re telling you something loud and clear. You’re just not listening.
Surely, it is only when the mind is creatively empty that it is capable of finding out whether there is an ultimate reality or not. But, the mind is never creatively empty; it is always acquiring, always gathering, living on the past or in the future, or trying to be focused in the immediate present: it is never in that state of creativeness in which a new thing can take place. As the mind is a result of time, it cannot possibly understand that which is timeless, eternal.
I'd always hoped to write the story as a novel, but there was a long period when the [Bridget Jones's Baby: The Diaries] movie was stalled and in confusion. I felt frustrated creatively, and just couldn't work on the Baby material till the movie was sorted out.
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