A Quote by Maria Bartiromo

I don't have any [specific] intelligence about a Vice-Disney deal, but I do know that everybody's nervous about these emerging players, who can come in and have enough attractive, original content to take market share.
My view is that the U.S. market will eventually join the emerging markets on the downside because if you take a bearish view about emerging economies, you cannot be too optimistic about the U.S. because for many U.S. corporations, 50 percent or more of their profits come from emerging economies.
Most people think that intelligence is about brain, where really it's about focus. Genius is just attention to a subject until it becomes specific, specific, specific.
The rare opportunity of writing music for a movie about the making of 'Mary Poppins' was impossible to ignore. The fact that it could provide emotional content in relief of the struggles that the Sherman brothers and Walt Disney endured was reason enough to take on the challenge.
And maybe the cereal makers by and large have learned to be less crazy about fighting for market share-because if you get even one person who's hell-bent on gaining market share.... For example, if I were Kellogg and I decided that I had to have 60% of the market, I think I could take most of the profit out of cereals. I'd ruin Kellogg in the process. But I think I could do it.
I earned my share same as everybody. Well, I coulda got killed same as everybody. And I'm wanted by the law same as everybody. I'm a nervous wreck, and that's the truth. I have to take sass from Miss Bonnie Parker all the time. I deserve mine.
How Hungama became the top children's channel in India is interesting because we were up against, not just Disney, but also Time Warner's Cartoon Network. It was an illustration of the fact that for any company that wants to grow in emerging markets, localizing content is the key.
To be polite to everybody except the people they love most is a nervous affectation that afflicts many families ... when they come home, they take off their smiles and soft words, and sit about, spiritually in their underwear. This isn't pretty.
I think that any time you share a secret, you're a little nervous about people's reaction to it.
When a market isn't in transition, gaining market share is hard - you're fighting to take one or two points of share from competitors.
I stopped getting nervous a long time ago, so any time I do get nervous, which is rare - about work, anyway - I always take that as a really good sign.
And I also am very nervous about implants. You know, I'm just nervous about all that. So I could still do it. I could think about it. But I needed to adapt to myself.
I will be doing a film called Whispers, for Disney. It's about elephants, and doesn't have any people in it. It will be a live action film - I don't know how much I can say about it, since I still don't know too much about it.
I think our particular sound has come by just not adhering to any specific sound. For us, it's about the song, and being able to fit in to what is appropriate. When we sit down, we're not talking about what type of band we're gonna be within a specific genre - there's a uniqueness to all of us individually that throws putting anything in a box out the window.
Disney is looking at growing in emerging markets - and for them India is an important market. They also recognize how important it is to partner with a local Indian company.
I have a specific set of, I have a specific sort of negative energies to deal with that might be specific to me, but it definitely something that all artists have to deal with at one point or another. But I think for me, it's just maybe more specific.
When I'm nervous, I know I care about something - you should be nervous about things that you want.
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