A Quote by Maria Bello
I think my work as an actress is less about a director and more about a person. You feel you can trust them instinctively. I met my best friends that way, I knew in a second.
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Reading was a way to make friends or enemies, a way to discover how all these different people exist in the world and to rub shoulders with them. The ability to feel as if you have met someone, as if that person exists in flesh and blood and that you relate to them somehow, makes you feel a lot less lonely. And it also makes you feel very brave.
I've had friends who have come away who've said, "I shouldn't have become such close friends with the director." You always want to get on with the director, but I personally prefer a relationship where you respect them - you get on really well with them, but they're boss, as it were. It's about trusting your director, for better or for worse. They're the one's seeing what's coming out on the monitors, so you have to try and trust what they say.
The best defense against being hurt is to feel good about yourself and the way a person responds to you says more about them, than about you.
I aspire to be an instrument of the director. I'm happiest like that. The stronger the director, the more I'm willing to give them. It's not just about admiration for their films, it's how they deal with you, and whether they get you or the way you work. If they don't, you better adjust your way of working to suit them. I want to work with people who are good at what they do, and people who are passionate. As you get older, you suffer fools less easily. That's why there's all those cranky character actors. I'm an exception. I'm a sweetheart.
I met Woz when I was 13, at a friend's garage. He was about 18. He was, like, the first person I met who knew more electronics than I did at that point. We became good friends, because we shared an interest in computers and we had a sense of humor. We pulled all kinds of pranks together.
I met Woz when I was 13, at a friend's garage. He was about 18. He was, like, the first person I met who knew more electronics than I did at that point. We became good friends, because we shared an interest in computer and we had a sense of humor. We pulled all kinds of pranks together.
Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.
Is It Unloving to Speak of Hell? If you were giving some friends directions to Denver and you knew that one road led there but a second road ended at a sharp cliff around a blind corner, would you talk only about the safe road? No. You would tell them about both, especially if you knew that the road to destruction was wider and more traveled. In fact, it would be terribly unloving not to warn them about that other road.
In the U.S., the FBI or the people I met from the Department of Justice might be ignorant about Islam or about the East more generally, but I felt they were less willing to make blanket judgments about Muslims. This caution was less evident with some of the authorities I met in India.
The most important thing is that, when you work with somebody, you build a rapport with that person. They have a certain trust in you. You don't have to explain that much. It's very hard when you photograph someone who's a fresh face and then you don't work with them again for six months. All these people I work with over and over again have qualities that I love. There's something very free about them or there are some slight imperfections about them. I think the more you work with someone, the pictures get better and better.
I find myself thinking more about the past as I get older... maybe because there's just more of it to think about. At the same time, I'm less haunted by it than I was as a younger person. I guess that's probably the ideal: to reach a point where you have access to all of your memories, but you don't feel victimized by them.
I don't for one second think about the possibility of censorship when I am writing a new book. I know I am a person who cares about kids and who cares about truth and I am guided by my own instincts, and trust them.
When a director can give you a word that allows you to feel less tense about yourself, to make you feel like you indeed are good enough before you even get to the work, you can't ask for anything more than that.
Being on a show like 'Fear the Walking Dead,' I started to learn more about camera work, learn more about the way the crew operates, and had more of a stronger opinion on how I think a television director can operate in the healthiest way.
When I went to shows with my friends, it was all about the experience with my friends. If I met the band, it was cool. But it was more about talking about the memories of the show with my friends.
I enjoy the debate... I haven't met a single person in Congress yet that I dislike. It's not about moderating your views: it's about being able to talk about them and defending them in a way that's uplifting to people.
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