A Quote by Maria Bello
I feel like, in a way, after doing it for so many years, you learn a certain concentration and how to turn it on and off.
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I feel great. I feel younger. And I don't feel anything at all. I don't know who knows, but right now I'm, how, how many years have I, fifty five, something like that. Forty three years old. And I feel like seventeen, like twenty five years ago.
Concentration's like a shower. You don't turn it on until you want to bathe... You don't walk out of the shower and leave it running. You turn it off, you turn it on... It has to be fresh and ready when you need it.
I have to do so many scenes cooking that I wanted to learn how to chop like I know what I'm doing and do certain things around the kitchen that look right.
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
I learned how to turn it on and turn it off. You learn that in theater, too, but for film work, I learned from doing 'Henry,' I learned how to leave work at work and go home. There's always spillover. Actors speak of this.
You learn that there's no right way to do it, no wrong way to do it. It's just what you feel comfortable with, to trust that, and don't let anybody box you in to a certain style of parenting or make you feel a certain way about what your kids do.
Lately I feel films are more and more like music. Music deals with abstractions and, like film, it involves time. It has many different movements, it has much contrast. And through music you learn that, in order to get a particular beautiful feeling, you have to have started far back, arranging certain things in a certain way. You can't just cut to it.
I'm friends with a lot of writers and so many of them say how much they hate signings and how they leave after a certain period of time. But what is so hard about sitting there while people tell you how much they love you? And if you don't like it, well, learn to like it. I try to take one person at a time. I never look down the line to see how many more people are left. And I always try to make people talk about something besides whatever they planned to say.
How many years and how many pictures does it take to win the confidence of Paramount? How many years before my fellow workers say, 'I know he is doing his best?'
I started off and I didn't have the advantage like other fighters of having an amateur career to grow and learn and make mistakes. Unfortunately, I spent the early years of my professional career doing that, and I feel like I've learned from all those mistakes.
There are certain things you can say off the ice, but I think it's mostly on the ice. There are certain situations where you feel like the team may need a big play, something like that, where you feel like it's your responsibility to step up and you do that, but I definitely do that more on the ice than off.
I like as much time as I can get and I'll do whatever I think is helpful to prepare for a role. Sometimes it's practical research, meaning if I had to write shorthand, I'd learn how to write shorthand. Or if I have to know how to dance a certain way, I would learn that. And then there's just research of talking to people similar to the characters I'm playing. And there's stuff that I just feel is inspiring, whether it be music or a painting or a photograph. I've used a lot of Nan Goldin's photos in the past to inspire me. I use certain paintings and pieces of music.
We are not born with effective vision. The human infant has to learn how to see. The eyes gather information, they transmit it to the brain, but the brain doesn't know how to process it yet. We learn how to see in a way that's very similar to the way we learn how to speak. It takes a couple of years.
Now that sports science is more advanced, we know that there are so many off-pitch factors that can affect how good you can become. If people are telling you to sleep a certain number of hours, eat specific foods, and drink a certain volume of fluids, then you have to be prepared to listen and learn.
After 34 years, I feel like I did when I was starting out. I feel excited and feel I've never been better doing what I do.
I've been naturally quick at learning things, and I learn by doing things, so if I sit beside someone who is actively doing something, I look at how they do it and absorb the way in which they do something and find my own comfortable way of reimagining that, or using certain techniques in my own way.
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