A Quote by Maria Callas

I don't need the money, dear. I work for art. — © Maria Callas
I don't need the money, dear. I work for art.
[When asked what was the inspiration for most of her work:] Need of money, dear.
I have not cared for money, and I enjoy working. Money comes my way. People work hard so they get enough money. Or they work hard so they don't have to work hard later in life. But though I don't need money, I still work hard because I like what I am doing.
Making money has always been pretty easy for me, but today I don't need any more money. I still work, because money is important, but my work is more important than the money, now. And that's a very big difference. I just work because I enjoy my work.
The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort.
We don't merely need the money from work to survive. We need the work itself to survive and live fully human lives more than money.
Love is cheap. You can buy it anywhere. Lives are cheap. It's money that's dear. You have to work days and sit up nights thinking how to make money.
Why is it so much easier to talk to a stranger? why do we feel we need to disconnect in order to connect? If I wrote "Dear Sofia" or "Dear Boomer" or "Dear Lily's Great-Aunt" at the top of this postcard, wouldn't that change the words that followed? Of course it would. But the question is: When I wrote "Dear Lily," was that just a version of "Dear Myself"? I know it was more than that. But it was also less than that, too
The secret of a successful art career is to make more art that folks think they need than pieces they just want. When a piece of art emotionally connects with a person the work becomes a need. You are then on your way to becoming successful.
You don't need tons of money to create art. You do need tons of money to be a part of show business. They are two different things.
I don't work for money any longer. I'm fortunate enough not to need to work for money, but I work for pride; I work because I love to work, and so the idea that one could lose control of one's own name and that things could be produced with your name on that you were not proud of scared me.
Sometimes I really need the money, really need to go straight to work. But if I had the absolute choice - money no object, my mortgage paid off - I'd really just work once or twice a year - but wouldn't everybody! - or at least do a different job sometimes.
I believe it is a big mistake to think that money is the only way to compensate a person for his work. People need money, but they also want to be happy in their work and proud of it.
I think the single biggest turn off is people who think that they need money and they need all these people around them so if they get the money they can just buy all the things they need to help the company... [without] hav[ing] to put in the work themselves.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
My work is not, of course, pure art in the sense that Schmidt-Rottluff's is, but it is art nonetheless... It is all right with me that my work serves a purpose. I want to have an effect on my time, in which human beings are so confused and in need of help.
If you work at rap and look at it as an art, the money will come. But if you try to get the money, it'll just always be shallow.
This site uses cookies to ensure you get the best experience. More info...
Got it!