A Quote by Maria Conchita Alonso

I left Venezuela looking for something bigger. I wanted to be an international star. — © Maria Conchita Alonso
I left Venezuela looking for something bigger. I wanted to be an international star.
We're learning a lot from large international competitors... As we go international, we're looking to add something unique to the market. And so when we do go international, it won't just be as a taxi service.
Latin America is all moving to the left, from Venezuela to Argentina with rare exceptions, but there's a good left and a bad left.
When I talk about democratic socialist, I'm not looking at Venezuela. I'm not looking at Cuba. I'm looking at countries like Denmark and Sweden.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
If Shanghai wants to be an international cultural center, they have to do something about that. The reason I left is that I wanted to explore what ballet is all about, and if I had stayed put, that wouldn't have happened.
The difference between this film [Your highness] and Pineapple Express was pretty much in the logistics of the technical ambition of the movie, and the size and scope of the movie. Pineapple Express was a great success, and that was something that we wanted to capitalize on, but we wanted this movie to be bigger, more adventuresome, bring a bigger audience to the movie, and challenge ourselves to do something new.
We Cubans are voting for our new constitution, we're voting for Latin America and the Caribbean. We're also voting for Venezuela, we're defending Venezuela because in Venezuela the continent's dignity is in play.
My father is Spanish, and he went to Venezuela looking for a job. He was 20 something, and he fell in love with a Venezuelan girl. He owns a company there, producing iron and bronze.
Even when I was looking for my first film, I knew I wanted to be in something that was good. I knew I was not a star kid, and I will not get any other chance.
When someone is looking down, they're saying no. When they're looking up, they're looking to their brain for memory. When they look to the left, they're looking for a lie or something they memorized. When they look to the right, they're feeling sorry - they don't want to answer.
When I left Maine, I always wanted to be a working actor. I never cared too much about being the star. I just wanted to do the work and get on with it.
If I could go back in time, I would have loved to have done more with Triple H. He blossomed into a bigger star after I left. I regret, looking back now, that we didn't have more matches or better matches or at least one pay-per-view match where we could have really showed our best stuff - or, at least, I did.
Every film that gets made, and I'm not just talking about 'Star Wars,' I'm talking about Marvel, DC, every tent pole film - they seem to just keep getting bigger and bigger and bigger and bigger. The worlds get bigger, the stakes get bigger.
We had a motto in my school: 'Men for Others.' And it was there that my faith became something vital. My north star for orienting my life. And when I left high school, I knew that I wanted to battle for social justice.
Record labels and producers are not looking to change you: they are looking to make a star. And what they might think is a star may not be you.
Google has you at a very specific mental state that is, looking for something. And what they've always been able to say is, we deliver your message at the exact time someone is, say, looking for fishing hooks or looking for marriage counseling or looking for a lawyer for a particular problem. And here we have our customers telling you what is in their heart and soul. It's something that, you know, advertisers have wanted for decades.
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