A Quote by Maria Doyle Kennedy

Music just makes sense to me. I don't ever worry when I'm singing. It's the safest place. I am a bit of worrier. — © Maria Doyle Kennedy
Music just makes sense to me. I don't ever worry when I'm singing. It's the safest place. I am a bit of worrier.
For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
I don't need to be any place else, because the music takes me to the only place I want to be right now. To the place where I am and have always been wholly me, the only church I've ever belonged to, the only place I've ever prayed.
I get bored of music really easily, so I always try and make music that makes sense, but then it's just a little bit wrong.
I'm a bit of a worrier, to an extreme. I'll crack a joke, then worry if I've offended someone - even when they're laughing. I have a guilt complex, always worrying.
Just as music is noise that makes sense, a painting is colour that makes sense, so a story is life that makes sense.
What singing means to me, I never did consider myself a singer, I just let people watch me feel music and how it comes through me. I've worked on it and practiced a lot. I mean, music, I dance to it, and singing is just one way of getting it out of me.
I associate a family as the safest place in the world. So when it comes to things that scare me, introducing instability and tension into where you're supposed to be the safest really strikes a chord with me.
I'm very involved on a lot of levels in making of this album," "I wrote on 11 of the 12 tracks which is, creatively, really important to me. I want to be singing my music passionately and when I'm writing from a place where God has been teaching me something new-when I write from that place-it comes across when I'm singing. That's vital to the message and the reality of God that I want to impart with my music.
The whole thing of singing on my own has been accidental and random. I sang a huge amount as a kid, and I was a boy soprano. I didn't do that much classical music; I did a little bit. I had a lovely voice. And then when my voice dropped, I didn't worry about it consciously because I wasn't that invested in my singing at the time.
I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.
I saw an interview with Keith Richards. He said, 'How else could a kid in Dartford suddenly connect with and understand what Muddy Waters is singing?' There's a cultural difference, but there's just something in that music that subconsciously or internally you just understand; it just makes sense.
I love singing. It makes me feel good. It's like a release, especially when I'm singing soul music.
When I first started singing in Paris, I sounded horrible: I was just singing to get some money to eat. And I wasn't singing my own songs: it was Bob Dylan, Bob Marley, Jimi Hendrix. Eventually, when I wrote my own music, my style just came out of my own place.
Don’t worry. I won’t send you off without warning. Just stand there and be awed by my beauty. It’s the safest mode around me. (Savitar)
I am a worrier. I tend to do something about what I worry about.
I think the most honest responses to the movies you get to watch are in houses and people's most private spaces, like the bedroom or in your own intimate space. I think that's where you feel safest, so when you're threatened in the place you feel safest, it makes for the scariest situations.
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