A Quote by Maria Grazia Cucinotta

I decided to an actress because of the film 'La Dolce Vita.' — © Maria Grazia Cucinotta
I decided to an actress because of the film 'La Dolce Vita.'
I decided to an actress because of the film 'La Dolce Vita.
I wanted to be a film composer because I heard scores that could stand alone, from 'Vertigo' to 'Star Wars' to 'La Dolce Vita,' because this music has so much history. They're weighed with the history of music. They come from somewhere, they have a past.
I wanted already to be a filmmaker after I saw 'La Dolce Vita.'
'La Dolce Vita' made we want to go to Rome and, if not jump into the Trevi Fountain, at least watch someone else do it. Maybe that's why I married an Italian...!
I just - I kind of see it that way. I find the higher angles down. I do - look, you can go back to the staircase shots in "Third Man" or the staircase in "La Dolce Vita." So I just find that visual construction in a frame.
I saw Dolce Vita and my mind was blown by it, by the synthesis. I realised I wanted to be a filmmaker and started making films. I was writing screenplays and couldn't get money because my work was so uncommercial.
Ave Dolce Vita, Rex Regum! Hail Sweet Life, King of Kings! We love you and we believe in you!
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
The first thing that inspires me is my mood, but I take inspiration from a lot of things: a rock song, a romantic movie or a specific lifestyle, like 1960s London and, of course, Italian 'dolce vita!'
I loved 'La La Land.' I would love to do a film like 'La La Land' which has so much simplicity and joy of cinema in it.
I never really decided to be an actress, but I got an agent, was called back on every show I auditioned for, and finally decided I was meant to be an actress.
Valentino Garavani is never really shown himself as anything other than this gracious diplomat of the dolce vita. That's his preferred look. But he's a temperamental genius - a man of cyclone force, passion, and perfectionist impulses who has very little tolerance for things that aren't exactly as he wants them to be.
I am extremely thrilled that my superhit single 'La la la,' composed by the talented Bilal Saeed, will be a part of the film 'Baazaar.' The song is a hit with the youth, and it always feels nice that the work you do is appreciated globally.
When I left university I was sure that I was going to be a painter. Then I had a crisis, a revelation. I saw Dolce Vita and my mind was blown by it, by the synthesis. I realised I wanted to be a filmmaker and started making films. I was writing screenplays and couldn't get money because my work was so uncommercial. I got married and started writing fiction. What was wonderful is that it gave me my freedom because no-one can tell me I can't work. Novels have become equally important to me as films. I consider myself a storyteller and passionately engaged in both of those disciplines.
The first time I met Janhvi on the sets, I took her to watch 'La La Land,' because she hadn't seen it. Soon, we started bonding over cinema - both of us are film buffs - and we realised we share a natural equation.
Now is the month of Maying, When merry lads are playing. Fa la la... Each with his bonny lass, upon the greeny grass. Fa la la... The Spring clad all in gladness, Doth laugh at winter's sadness. Fa la la.
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