A Quote by Maria Kanellis
When I left WWE the first time, I made almost the least amount of money I made with any company.
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I made 'Siam Sunset.' In Australia, it was pretty much universally hated, but I did notice that almost any American who saw it loved that film, so in 2001 I made a film in America called 'Swimfan,' and they released like a big studio movie, and it made money.
Almost any mistake you can make in running a company, I've probably made
I?'d love to see Sting come back. The guys that had the potential to make any money and draw any money, they came. The ones that made it, made it, and the ones that didn?'t, didn?'t. The list of those who made it, there?s lots? the list of those who didn'?t make it are longer then the ones who did.
If you talk to any filmmaker, and if you said to them, 'I guarantee you x amount of money per month for the rest of your life, and it's not a big amount of money, but I can also guarantee that you will work continually, you will get to make what you want to make,' any filmmaker on the planet will make that kind of deal. I would have made it.
Any reward that is worth having only comes to the industrious. The success which is made in any walk of life is measured almost exactly by the amount of hard work that is put into it.
The time that it takes to make the feature is really contingent on the feature being sort of almost ready-made - so coming to a book is more ready-made. You at least have the story that someone sorted out.
I made good money at WWE and traveled the world and interacted with my fans, but I missed a lot of family time. That really hits me.
Artists shouldn't be made famous. They have this huge aura of almost god-like quality about them, just because their craft makes a lot of money. And at the same time it is a forced importance... It is man-made so the press can feed off it.
Unless a Western's made money - doesn't matter who made the money, doesn't matter what the subject is - if the last one didn't make any money, you can't make another one for a four-year period. Westerns more than any genre.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
Quality isn't about where the money came from or which company gets to put their name on the thing. What matters is who made the movie and why they made it.
The old idea that the joke was not good enough for the company has been superseded by the new aristocratic idea that the company was not worthy of the joke. They have introduced an almost insane individualism into that one form of intercourse which is specially and uproariously communal. They have made even levities into secrets. They have made laughter lonelier than tears.
Looking at 2014, I look back: we made more money off 'Mailbox Money' than we would have made off taking an advance from anybody. We made more money letting our fans buy the stuff directly from us than what any label could have offered us.
I've made a good amount of money. I'm very happy that I can now support my theatre company and support friends and family, and I'm ready to maybe go back to school and change careers.
I've made a commitment that any tax increase, I'm going to veto. It's the worst thing we could do. We have an amount of money to spend. That's it.
Is it fair to be suspicious of an entire profession because of a few bad apples? There are at least two important differences, it seems to me. First, no one doubts that science actually works, whatever mistaken and fraudulent claim may from time to time be offered. But whether there are any miraculous cures from faith-healing, beyond the body's own ability to cure itself, is very much at issue. Secondly, the expose' of fraud and error in science is made almost exclusively by science. But the exposure of fraud and error in faith-healing is almost never done by other faith-healers.
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