A Quote by Maria Kanellis
I got to work with Ric Flair. I got to work with John Cena when he was just coming into his own. I got to work with Santino when that character was just started.
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There was a match in Alaska that I had with Beth Phoenix at a house show where we had a standing ovation from Ric Flair, Triple H, John Cena, and Arn Anderson. I got to work with her so much that we knew each other's body language. Got a standing ovation from the entire locker room. It was amazing.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
Flair was a tricky guy to work with when I worked with Ric. When he was champion, we had much better matches, and the moment the title got switched, we seemed to screw up my match every night.
I listen to a lot of different kinds of music and rather than just doing one thing when I make an album, the challenge to myself is to write all these diverse tracks, but to make them work. It's like a jigsaw because if you've got a lyrical track going into a hard rock track... it's got to work. You've got to write things that will work together.
You can't always be 100-percent positive that a joke will work, so you've just got to try it. Fortunately, if one new joke doesn't work, I've got lots of old ones that do. Just like cops, it's important to have backup.
A lot of people, especially comedians, just feel like, 'Oh, I can be charming and whatever, and have fun, and everybody is just going to like me.' But you've got to work. There's got to be a real work ethic that gets you better.
I applied to do a fellowship in Congress and I was accepted to be a legislative fellow, so I go to work on the personal staff of a senator. I got very lucky and got to work in the office of Senator John McCain, and it was a yearlong program.
A lot of people say now, 'John Cena doesn't work.' Well, John Cena does the things that people go to see John Cena do, and he doesn't take a lot of risks.
I got a bunch of my own, but my favorite signature move of all time is Ric Flair's Figure Four Leglock.
When I debuted on the main roster, people just hated me. They were booing me. Social media got to me a bit. They were like, 'She's just there because she's Ric Flair's daughter.' I was like, 'Why doesn't anybody like me?' It really got to me.
When there wasn't a lot of work, I wrote a screenplay, 'What Lies Beneath,' which got noticed and got me more acting jobs. As I got more jobs, I was able to make my own films. That ethos of making my own work has provided me with a lot of opportunities.
I have nothing but respect for John Cena and his work rate. He's one of the hardest-working wrestlers there ever was. He's been a great champion, an inspiring role model. It's not easy being John Cena and carrying all the weight of the company on your back all the time.
All in all, we'll just do well as a team. We've got a great group of guys, and they're just willing to work. That's what I like being around, just dudes who want to enjoy it and just work really hard.
I did a little theatre work after that and the following year I got another part in a television series. Then it was almost to the end of the year before I got more work. That was coming to terms with the reality of the vocation I had chosen.
You've got to put a lot of hard work in and it's not just in the swimming pool. You've got to look after yourself, you've got to sleep well and you've got to recover between the sessions, whether that's resting or getting the right food inside you. I always try to get the best out of myself and strive for perfection.
When John Cena came to Raw, he immediately got off on the wrong foot with Eric Bischoff. Eric Bischoff said that he thought John Cena was a would be Eminem, and Lord knows one Eminem is enough, but since that time, I have come to respect and really like this kid. This John Cena is a good guy. You can't say anything differently than that.
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