A Quote by Maria Konnikova
At the end, we can embrace and love whatever we want of an author's work. But we also can't ignore a writer's express wish just because we don't happen to agree with it.
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You can do whatever you want. If you want to be a singer, author, book writer, basketball player, you just have to put the time in.
I learned to write from reading. I had no writing classes. It's part of my thinking as the writer-author, reading, but then I also want to bring this into my characters, who also read and think. There's that great quote from Virginia Woolf - it's very simple: "...books continue each other." I think when you're a writer, you're also, hopefully, a reader, and you're bringing those earlier works into your work.
I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.
I think in the end there is one ultimate goal with all my careers, and that is, as a performing artist, you want to explore the deepest, most truthful way to express a point of view, or whatever the character is thinking, or whatever emotion you're trying to convey. I think with the different media it's just about what muscles you use to express that.
The universe will put signposts in your life. You can either ignore them or embrace them. You can choose and wish for all the things you want, but the things that are coming to you, you will never be able to hide from and the things that you want so bad that are not supposed to be for you for whatever reason, they'll never come to you.
It's very frustrating [ to work under director's control], not just because you're getting rejected constantly, but also because you're at a time in your life where you have an enormous amount of creative energy, and there's no way to express it. That's why a lot of people get into drinking or drugs or whatever.
When you love, whatever you do is because you want to do it. It becomes a pleasure, it's like a game, and you have fun with it. When you love, you don't expect something to happen; whatever happens is okay, and hardly anything disappoints you.
I genuinely only want to work with people that I agree with on certain things. There were many sponsors I didn't want to work with because I didn't agree with their messages that they wanted to use me to convey.
I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a way to not care - easier said than done.
I don't think it's the highest priority. I don't think we should ignore it, either, just generally I think as conservatives we should embrace innovation, embrace technology, embrace science. ... Sometimes I sense that we pull back from the embrace of these things. We shouldn't.
I feel like you can hope and dream and wish, but until you do, nothing is going to happen. So whatever you're passionate about, whatever your hopes and dreams are, you have to go full-steam ahead. But of course I have my moments where I'm trying so hard, and it never seems to break through. It's always when you want to give up that something's going to happen, right? So you just can't give up.
I felt like I was a writer, and I just thought filmmaking was the best way for me to express that, because it allows me to embrace the visual world that I love. It's allows me to interact with people, to be more social than fiction or poetry, and it felt like the right way for me to tell the stories that felt pressing to me.
When I come up against a director who has a concept that I don't agree with, or maybe I just haven't thought of it or whatever, I'd be more prone to go with them than my own because I want to be out of control as an actor, I want them to have the control, otherwise it's going to become predictably my work, and that's not fun.
My brother gave me some good advice. He said, "What do you want to do? Do that because there are no rules when it comes to love. There are absolutely no rules. Do what you want to do." I think that was the most liberating piece of advice, because love really is unpredictable. There's trap doors, all kinds of scary stuff, caves and bears... You never know what's going to happen so you just have to do what you feel is right in the end.
There's also an aspect which I tried to express yesterday by saying the same "something" that looks out through Curlys eyes is also the same exact thing which looks out of Moe's eyes, and that's harder for people to grasp. So the thing is, you have to find a way to ultimately embrace both sides or else you can't function. If you only embrace the side of pure oneness then you end up sort of spacing out and sitting under a blanket.
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