A Quote by Maria Menounos
Tim Story is a fantastic director, and I'm so excited to get to work with him.
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I was very excited to do 'The Witches.' It was with one of my favorite directors, Nick Roeg, and I loved his work from 'Don't Look Now' and 'Eureka.' So I was very excited to work with him. The story was a very subversive fairy tale by Roald Dahl, and a fantastic part.
Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.
I never take anything for granted. I think it's very cool to still get excited about things. I get as excited now as I ever did when I get a chauffeur driven car pick me up and I stay in a fantastic hotel or get to fly in a private plane. I never want to get blasé.
In this movie, you have all the things you love from Tim. All the magic and the whimsy and the surreal, but he also has a fantastic story of a father and son that really gets under your skin.
One of the challenges of being a director is often you don't get to work with your peers. You know, writers can write together, and as a director you get to work with so many wonderful actors and writers and designers. But it's pretty rare that you get a chance to partner in that way with another director.
My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
To make a film with Rajinikanth will be a dream come true for any director, and I'm not an exception. But I always believe that it's the story that should drive you. If I come up with something like that, and if the story inspires me, I would be happy to work with him.
A lot of times I don't know if I trust the director to tell that film's story. Or I think it's inappropriate for a male director to tell a female story, or a white director to tell a black story. Everyone walks away from a movie differently, because you're relating it to your own life.
Whenever anybody asked me, 'Who is your number one director to work with?' I would always say Tim Burton.
I had a fantastic couple of years with Mumbai but I am now excited about the challenge with Rajasthan. It will be great to play alongside Ben Stokes, while any time you get to play in the IPL it is a fantastic experience.
An actor puts himself in the hands of a director. And the director's first responsibility, obviously, is to tell the story, but the smallest thing that's not true reads on the screen. So if a director sees that an actor is not believable, he needs to help him become believable.
The network was fantastic, but you get a lot of anxiety with any production. It was very helpful to have both of us because we could back each other up. As a creator, a director and a filmmaker, you often get assaulted and you lose perspective because you have all of this pressure. It was so nice to call him and say, "What do you think?"
I suppose that I was a kind of consultant for taste. Is it good taste? Or bad taste? I had an attention to detail, to what would tell best the story. Because many people get excited about the work and drift off from the story.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
With my personal work I prefer not to work from storyboards because being a director, producer and animator in one person I don't have to communicate my idea to anyone else, I can keep the feeling of the story, the story arc and structure in my head.
Every time I meet Rahman sir, it's a fan moment for me. I don't take the fact that I am working with him lightly. I get excited every time I see and work with him. But I don't embarrass him.
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