A Quote by Maria Menounos

I saw Redeye, and I love being scared and on the edge of my seat. — © Maria Menounos
I saw Redeye, and I love being scared and on the edge of my seat.
Being scared is really a good thing. It's being scared of being scared that's bad. Being scared of walking through your fear, going to a place of true creativity - that's what an artist is, that's what he does. If you do that, then being inspired by your contemporaries or people from the past is really great.
I love stories that put you on the edge of your seat and make you feel something.
I love horror because you can never just sit back in your seat. You always have to be on the edge of it.
I loved the 'Die Hard' films growing up and the 'Taken' movies. They're so entertaining, and I enjoy being on the edge of my seat.
... you looked around and saw everybody either married or busy and happy and thinking and being creative, and you felt scared, sick, lethargic, worst of all, not wanting to cope. You saw visions of yourself in a straightjacket, and a drain on the family, murdering your mother in actuality, killing the edifice of love and respect built up over the years in the hearts of other people.
Being brave doesn't mean you aren't scared. Being brave means you are scared, really scared, badly scared, and you do the right thing anyway.
I'm a big fan of being scared I like being scared. I like being involved in a film that will make audiences scared, that intrigues me.
With my friends in Brooklyn, many of them started out as artists. I saw many of these friends move into late middle age, still struggling without health insurance or a cushion. I saw people who had given up being artists. Being an artist necessitates a compromise or living on the edge.
No real fairytale scared me, but Freddy Krueger did. 'Nightmare on Elm Street' scared the living hell out of me, but no fairytale. Maybe 'Hansel and Gretel' a little bit when they were walking through the forest and they met the witch. But I liked being scared, I really enjoy being scared.
I've stood up to producers before, and even a director. I saw them being abusive. A lot of people on the set are scared to say stuff when they're not being treated right.
I'm terrible at solving things. I'm really bad and haven't got any sort of lateral thinking capacity. I am your perfect audience for a mystery. I love that kind of stuff. I'm always on the edge of my seat.
That's the way to go. People say: 'Oh, he doesn't want to come back, he's scared,' and it's to play with your brain, to play with your mind. I'm not scared of nobody. I'm not scared of no human being. I'm scared to fight, every time I fight I'm scared, but I'll bite into my mouthpiece and I'll walk the walk.
I never saw myself as being ambitious, I saw myself as being in love with the profession. I'm a people person. I love to get to know different kinds of people.
We cannot evolve faster than our language. The edge of being is the edge of meaning, and somehow we have to push the edge of meaning. We have to extend it.
Ten years ago, I went to visit my dad in Australia. I walked to the edge of a cliff and looked over and tripped. I righted myself but my head was over the edge. No one saw it.
I have no wish to go back to being frustrated by a character. It's really just part of being on an ongoing series. You're constantly hoping the next episode you get, something will happen for you. You're on the edge of your seat all the time, pressing your hands together and hoping that something cool will turn up.
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