A Quote by Maria Mitchell

An English village could never be mistaken for an American one: the outline against the sky differs; a thatched cottage makes a very wavy line on the blue above. — © Maria Mitchell
An English village could never be mistaken for an American one: the outline against the sky differs; a thatched cottage makes a very wavy line on the blue above.
I let my head fall back, and I gazed into the Eternal Blue Sky. It was morning. Some of the sky was yellow, some the softest blue. One small cloud scuttled along. Strange how everything below can be such death and chaos and pain while above the sky is peace, sweet blue gentleness. I heard a shaman say once, the Ancestors want our souls to be like the blue sky.
Art is History's nostalgia, it prefers a thatched roof to a concrete factory, and the huge church above a bleached village.
The water is this marvellous blue. It’s so blue that once you see it you realise you’ve never seen blue before. That other thing you were calling blue is some other colour, it’s not blue. This, this is blue. It’s a blue that comes down from the sky into the water so that when you look in the sea you think sky and when you look at the sky you think sea.
We're at 103,000 feet. Looking out over a very beautiful, beautiful world . . . a hostile sky. As you look up the sky looks beautiful but hostile. As you sit here you realize that Man will never conquer space. He will learn to live with it, but he will never conquer it. Can see for over 400 miles. Beneath me I can see the clouds. . . . They are beautiful . . . looking through my mirror the sky is absolutely black. Void of anything. . . . I can see the beautiful blue of the sky and above that it goes into a deep, deep, dark, indescribable blue which no artist can ever duplicate. It's fantastic.
I could never muster the courage to speak to girls in my college in Pune. Most of them were Parsis and spoke English. I came from a village and could barely converse in English.
So, probably … when I started painting the pelvis bones I was most interested in the holes in the bones — what I saw through them- particularly the blue from holding them up in the sun against the sky as one is apt to do when one seems to have more sky than earth in one’s world … they were most beautiful against the Blue — that Blue that will always be there as it is now after all man’s destruction is finished.
I remember that I stood on the library steps holding my books and looking for a minute at the soft hinted green in the branches against the sky and wishing, as I always did, that I could walk home across the sky instead of through the village.
To write or even speak English is not a science but an art. There are no reliable words. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.
Sometimes, looking up at Sophiatown... I have felt I was looking at an Italian village somewhere in Umbria. For you do 'look up' at Sophiatown, and in the evening light, across the blue-grey haze of smoke from braziers and chimneys, against a saffron sky, you see close-packed, red-roofed little houses. ...And above it all you see the Church of Christ the King, its tower visible north, south, east, and west.
Above me I saw something I did not believe at first. Well above the haze layer of the earth's atmosphere were additonal faint thin bands of blue, sharply etched against the dark sky. They hovered over the earth like a succession of halos.
When you love a man, he becomes more than a body. His physical limbs expand, and his outline recedes, vanishes. He is rich and sweet and right. He is part of the world, the atmosphere, the blue sky and the blue water.
A little group of thatched cottages in the middle of the village had an orchard attached; and I remember well the peculiar purity of the blue sky seen through the white clusters of apple blossom in spring. I remember being moonstruck looking at it one morning early on my way to school. It meant something for me; what, I couldn't say. It gave me such an unease at heart, some reaching out towards perfection such as impels men into religion, some sense of the transcendence of things, of the fragility of our hold on life.
My favourite film-maker west of the English Channel is not English - but to me doesn't seem American either - David Lynch - a curious American-European film-maker. He has - against odds - achieved what we want to achieve here. He takes great risks with a strong personal voice and adequate funds and space to exercise it. I thought Blue Velvet was a masterpiece.
Every writer dreams of having a backyard cottage, similar to Dahl's 'writing hut.' English cottages and charming huts might seem out of reach, but a good carpenter could build a modest cottage on the cheap.
When I heard that there were artists, I wished I could some time be one. If I could only make a rose bloom on paper, I thought I should be happy! Or if I could at last succeed in drawing the outline of winter-stripped boughs as I saw them against the sky, it seemed to me that I should be willing to spend years in trying.
The American language differs from the English in that it seeks the top of expression while English seeks its lowly valleys.
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