A Quote by Maria Semple
I'll see something awful on the street and I'll come home and say to my boyfriend, "I just saw the funniest thing on the street." It's a stance. It's the way I was born, or the way I was damaged.
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For me, if I was walking down the street and saw a politician, I'd cross the street and walk the other way intentionally, just to not have to talk to them.
Everybody has that thing where they need to look one way but they come out looking another way and that's what people observe. You see someone on the street and essentially what you notice about them is the flaw. It's just extraordinary that we should have been given these peculiarities. Something is ironic in the world and it has to do with the fact that what you intend never comes out like you intend it.
People come up to me on the street and say, 'Men at Work is the funniest movie I ever saw in my life'. But, you know, I do have to question how many movies these people have seen.
I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
The real question is, Why do you feel as though that's emasculating? A man can't have a conflict? When you try to do art, it's how it lands on people, and hopefully some people will see it the way that I saw it, which is all of these awful choices come from the place of a man who's damaged.
I saw young women in the street dressing in a way that I thought was influencing the designers. Fashion was being influenced by all sorts of different people, and culture and also across the street. So I saw more as a trickle up, than a trickle down influence. When I came to Vogue, that's what I wanted it to reflect.
Yesterday from my office window I saw a crippled girl negotiating her way across the street, her shoulders squarely braced. At each jerky movement her hair flew back like an annunciatory angel, and I saw she was the only dancer on the street.
If you make a street poster and literally paste it on the street in a city like New York, where it's such a mixed population and so densely populated, and it stays up for a full week and doesn't get covered up by something else or pulled down, you will have fifty thousand people who will have seen it. It will be the poorest of the poor - some homeless man who lives on the street will see it and probably appreciate it, or some businessman or landlord will see it. Everyone will see it. And whether or not they even realize that they saw it, on some level it's affecting their consciousness.
I've always been a little 'preppy street.' That's how I would describe it. I'm not all the way into street wear, but I am not all the way into a suit and tie either, so I try to combine that look.
I was impersonating people way, way, way early, as far back as I can remember. And I would do people on my street for my parents, I remember. And in school, I did the same thing with all the teachers. It was just like, I mean, it was something I loved to do. I don't think there was a time when I wasn't doing it. I was always doing it.
The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at.
All on the street, you get treated like a street cat: "All right, you've been eatin' enough, you're fat, get out of the way now and let somebody else come by."
Say good-bye to Dodd-Frank and all of the financial reforms and efforts to try to rein in Wall Street. Just say good-bye to it. That means we can go where Wall Street gets to call the shots again. We saw how that worked out in 2008.
I think you can learn a lot about a guy from the way that he talks to you and the way that he compliments you. If he's complimenting you when you're just walking down the street and it's something completely pure and of the moment, then that's something you can take to heart.
With rap music, because it's all so on the street, you get treated like a street cat: "All right, you've been eatin' enough, you're fat, get out of the way now and let somebody else come by."
Ive been on Wall Street once in my life in 1980 as a tourist. I went to see the stock exchange when I was 18 years old. Im not a Wall Street lawyer, Im a Stanwix Street lawyer. Stanwix Street is a street in downtown Pittsburgh.
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