A Quote by Maria Semple

I guess that's what art is: Turning something painful into something people can relate to. — © Maria Semple
I guess that's what art is: Turning something painful into something people can relate to.
I think a lot of us can relate to not choosing to face a painful memory, and something that's a painful past, and wanting to pretend like it never happened.
When you become an actor, at some point you look for something that brings you back to your roots. You find something that people around your neighborhood can relate to. People that you're close with can relate to.
I think turning 30 - and same with turning 21, 25, or turning 18 - those are moments in life where something new is expected of you, or you expect something new from yourself.
My dad, before he passed away, never understood what I did. What I say is that I'm responsible for translating the director's vision, hopefully turning an idea into something people can connect to and relate to.
Most people are excited about themselves. Personal genome will deliver for inexpensively something about science to which you can relate. Just like computers are becoming something to which you can relate. It should be even easier to relate to your own biology, and I hope that will be one of the ways we get broader literacy in science.
If you try to create something that everybody can relate to, you're gonna make something that nobody can relate to.
There's always a fundamental misery that's with me that I always relate to some bit of loss or something. I don't know what it is about me, but even though I'm happy on the surface, there's something there, I guess. So, it all comes from wherever it comes from. I really don't know where that is.
When you make something you like and audiences reject it, the experience can be painful. But I've discovered...that when you make something you aren't exactly satisfied with, and someone tells you it's great, that's even mor...e painful and frustrating.
I think art and dance is something everyone can relate to.
It's exhilarating to read something that tells you that people saw something and felt something that you thought was so discreet. When they relate you to some of their own fantasies of who or how some actresses should be in movies. That's really kind of sweet!
Catharsis isn't art. You can't rely on catharsis to get a laugh. Because guess what? People do laugh when something's shocking, but that is, to me, the absolute fakest of laughs. That's not something that sustains a television series, or a movie, or even 45 minutes of a stand-up set at Carolines.
There were various turning points, but the main one at the beginning was that I was going off to do another degree in the history of art. I would have ended up as some art historian at Sotheby's or something.
I dream of doing something where people are like: 'That's different, but it's still something I can relate to,' because that's the way of moving forward.
I think it's a big chance to take to make a movie that's about as something as pure and honest and something people can relate to everyday.
I think people go to the movies to be entertained, to have an experience, to disappear from their own reality for a couple of hours. If the film truly succeeds in everything the filmmaker sets out for it to be, then it's elevated to art. It's elevated to something special, because it gives people a visceral feeling of something they're experiencing as a collective group. You feel something and that's what turns it into what you may call art.
People are good people. If they know what's going on, and they can relate to it, they can be moved to do something. If they can never see it or never relate to it, they continue to stay disconnected.
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