A Quote by Maria Semple

I try to begin with a strong grasp of my characters. Even if it's schematic, I need it clear in my head who these people are. — © Maria Semple
I try to begin with a strong grasp of my characters. Even if it's schematic, I need it clear in my head who these people are.
Usually, people begin with very clear ideas of good movies, they begin with clear ideas about their characters, and then, as they do sequels, they seem to forget the characters more and more, and try to out-spectacle.
I learned that comedy is born out of strong characters. I won't begin writing a character until I have a clear take on them.
I start with an idea or a problem or a conflict, or even a situation that might be pertinent to the lives of young people, then the characters grow from that point. I try to make strong characters that change and develop and learn from their mistakes.
I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
I'm just like anyone else. I have ideals that I grasp onto but I try not to grasp on too tightly and to be open to other people's thoughts and opinions even if they're completely different than mine.
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
I try to listen to all music with an open head, a clear head, try not to say just because I don't know it, it's weak.
What makes revolutionary thought unique is its clarity and dignity, and its clear grasp of freedom and justice: simple, clear words that are understood without the need for any help from elite writers or thinkers.
If you try anything, if you try to lose weight, or to improve yourself, or to love, or to make the world a better place, you have already achieved something wonderful, before you even begin. Forget failure. If things don't work out the way you want, hold your head up high and be proud. And try again. And again. And again!
I am not afraid to stop the puck with my head. I try to do it sometimes even in practice; not everyday but once in a while, I say to my teammates, shoot me in my head and I'll try to stop the puck. I am not afraid at all of the puck, so sometimes, if the shot comes at my head, it's an easier save to make with your head. Maybe the people think a different way, but for me, I do it with my head.
I can't even begin to grasp concepts like the multiverse.
I begin by assembling notes on characters. Large swaths of the plot become clear to me as I do this.
Try and get out into nature for even 30 min. each day to clear your head + think + walk + breathe. Great daily practice.
People watch me when I get into these characters that I have in my head, so perhaps I should try acting. So I did.
You have to go as hard as you possibly can, or it's going to be weak. Whenever I find myself not committing fully to a character, it's not as funny. It doesn't have that clear point of view, and you find yourself wandering all over the place, whereas committed characters make strong choices that are clear to the audience.
Now imagine a life in which every day a person is presented with not two or even three but dozens of choices, and you can begin to grasp why the modern world has become, even with all its advantages, a neurosis-generating machine of the highest order.
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