A Quote by Maria Semple

Some people, especially literary people, they think, 'I'll write this original script, and it will be full of ideas. I'll submit it, and they'll hire me for television.' That's not the case.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I tend more towards what some people call literary science fiction, but what I mean by that is that it is full of interesting language, experimentation, and ideas.
We now live in a world both in film and television where everything is based on something. You point out, "Star Wars" was an original screenplay, "Raiders of the Lost Ark," an original screenplay, "Ghostbusters" an original screenplay, "Back to the Future." All these things that people love were original ideas many years ago.
Some people have no original ideas because they do not think well enough of themselves to consider their ideas worth noticing and developing.
I think great bosses hire great people. 'A' people hire 'A' people, but 'B' people hire 'C' people; they're worried they might be shown up... they're concerned that that person might make them look bad.
I think there will be some people who think I did a great job, some people who will think, 'Hey, for a guy who did this for his first time, he didn't do too bad,' and some people will be like, 'Rich Franklin sucks.' It doesn't matter what you do, you will always have people on every side of that spectrum, so I would imagine for me it wouldn't be any different.
I will attack ideas very hard. I am not shy about that one bit. So I don't want people to think that because I had a call for civility that that means I shy away from debate and that I'm agreeable. That's not the case. What is the case is that I will not question who you are as a person.
I think people are too often misinformed and, in some cases, deceived. We don't have a full marketplace of ideas in this country that in any way reflects the broad, real range of ideas.
I'm very lucky that I'm not a photographer for hire - people hire me for me. I go into every commercial work with an art focus, with that lens; every brand I've worked for just lets me do whatever I want to do. I have full creative freedom.
I wouldn't be interested in [nowadays] television simply because I think it goes too fast. Except if something was maybe a play on television or some great television script.
I will not allow people to impose rules on me that don't make sense to me. And I live and work very much outside the literary world and the literary system. What they think and what they believe and what their rules are mean nothing to me.
When you write a script, you hope that people will give it life beyond the script.
I thought one way to try to hold on to the power was to write the script myself. That way, I could say to filmmakers, "I'm not asking you to hire me unseen. I'm just saying, 'Here's my script. Can we work together?'" So that worked out well.
My favorite thing to do is rip the covers off a script when reading for writers to hire and make everybody read without names on the covers of the script. I can't tell you how many times my writers, women and men, will pick people of color and women much more often than they would with a cover on the script.
'Sabotage' was a work for hire. It wasn't my original idea or script or anything.
Some people play the piano, some do Sudoku, some watch television, some people go out to dinner parties. I write books.
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