A Quote by Maria Semple

'Where'd You Go, Bernadette' was surprisingly easy and fun to write because I was feeling such strong emotions. — © Maria Semple
'Where'd You Go, Bernadette' was surprisingly easy and fun to write because I was feeling such strong emotions.
Both 'Where'd You Go, Bernadette' and my first novel, 'This One is Mine,' are pretty complex on a story level, and fun reads as a result.
You can write that it's because I still like Justin. Sexy back means sexiness. Did Strong Baby give off the same sexy feeling as my song now? I write it according to the feeling I get.
A great emotion is too selfish ; it takes into itself all the blood of the spirit, and the congestion leaves the hands too cold to write. Three sorts of emotion produce great poetry - strong but quick emotions, seized upon for art as soon as they have passed, but not before they have passed ; strong and deep emotions in their remembrance along time after ; and false emotions, that is to say, emotions felt in the intellect. Not insincerity, but a translated sincerity, is the basis of all art.
The best emotions to write out of are anger and fear or dread. The least energizing emotion to write out of is admiration. It is very difficult to write out of because the basic feeling that goes with admiration is a passive contemplative mood.
'Where'd You Go, Bernadette' is an epistolary novel - one told in letters. I had no idea how much fun it would be, puzzling together the plot with letters and documents.
When I came back from my first TED, very few people knew what it was. But around the time I was sitting down to write 'Where'd You Go, Bernadette,' in 2010, TED was exploding.
Every time I'm feeling anxious, I go to my little meditation corner in my room and write down whatever I'm feeling. If I'm feeling terrible, I write that I'm feeling terrible and I accept that and I keep going, but I'm not going to wallow in that moment.
When you write a script that you've felt in your soul for a long time, you can't ask the actors to go through the same emotions. You have to do part of the job to make things as easy as possible for them.
I think it can be fun to write about relationships just because so many people can relate to what you are feeling.
Strong emotions are present in all people. Without feeling, we would not be human. It's unnatural for man to hide what he's feeling, though if taught to do so, he can learn. Love teaches a man to show what he is feeling. Love never presupposes that it can be discerned or felt without expression.
How do we regulate our emotions? The answer is surprisingly simple: by thinking about them. The prefrontal cortex allows each of us to contemplate his or her own mind, a talent psychologists call metacognition. We know when we are angry; every emotional state comes with self-awareness attached, so that an individual can try to figure out why he's feeling what he's feeling. If the particular feeling makes no sense—if the amygdala is simply responding to a loss frame, for example—then it can be discounted. The prefrontal cortex can deliberately choose to ignore the emotional brain.
All the stuff that keeps you safe from feeling scary emotions? They also keep you from feeling the good emotions. You have to shake those off. You have to become vulnerable.
If you're trying to write about very strong horror, very strong fear or very strong emotion, it's easy to overwrite it.
Writing is fun - at least mostly. I write for four hours every day. After that I go running. As a rule, 10 kilometers (6.2 miles). That's easy to manage.
It's fun to play a dark character, but you go home at the end of the day not feeling very good about yourself. You go away feeling dirty. It seeps into the air.
In cricket when you get easy performances or easy wickets then it's no fun, but when you have to fight and perform in challenging conditions then that feeling is something else.
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