A Quote by Maria Sharapova

I'm always that annoying person that pulls out the camera in the middle of dinner and starts taking candids. — © Maria Sharapova
I'm always that annoying person that pulls out the camera in the middle of dinner and starts taking candids.
I'm the sort of person who takes a camera to dinner or a nightclub because I enjoy taking pictures of people. I tweet all my pictures, which is bad.
When you shoot a movie, the camera is always taking, taking, taking and not giving anything back.
In the age of the camera phone it's a bit weird when you're sitting having dinner in a restaurant and people think they're being very subtle taking a photo while in fact they're being very obvious. When you're in a middle of a mouthful with friends or family and people come up asking for a photograph, that's when you want to say, 'Actually, I'm going to say no; I'd like to finish my meal. This is my time.'
This is how you can tell a real photographer: mostly, a real photographer does not say 'I wish I had my camera on me right now'. Instead a real photographer pulls out her camera and takes the photograph.
There's a point where a cop pulls you out of that car and starts abusing you or beating on you and at that moment he is no longer within the law.
Everybody has a camera on their phone these days, everybody wants a selfie or a picture, and the moment one person starts taking a picture everybody congregates around so I've become quite a fast walker. I don't like saying, "No," to people but by walking fast one might be able to avoid the first photo.
Everybody is talking and everybody is trying to block things out, but eventually you just yell, "Action!," everybody starts moving, the camera starts going, and you get a take.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
From being a silent person, I started going on stage and performing. It gave me confidence and I started liking it. When the camera starts rolling, I am very different person.
Camera 1.0 was film. Camera 2.0 was digital. 3.0 is a light-field camera that opens all these new possibilities for your picture taking.
I think I'm like that nerdy dad from middle school who always has a video camera, but in the same respect, I only take it out during interesting occasions.
I was always very silly and never took myself seriously. When my father had the camera out, I'd be up close and annoying. My father would keep saying, 'Move back! Move back!'
Jason Bourne is supposed to be really sneaky and spry, but as soon as he walks by, everybody pulls out their cell phones and starts recording. That level of fame is wild to see.
There was a time when Prakash, our daughter Disha, Vinod - who I was seeing then - and I went out to dinner. People thought it was very strange. But I have always felt if you can't work out one equation - the man/woman one - you don't have to lose out on the person altogether.
Now everyone's main objective of taking photographs is to have a photograph for Twitter or Facebook. I find that troubling. If you have an opportunity to meet the Dalai Lama, don't work out your camera or iPhone issues. Sit and a listen to what the man is saying, because nine times out of 10, you're not going to look at that photo. You're not going to look at the video. As a photographer, I don't carry a camera. I have my iPhone, but I don't carry a camera. I want to live.
Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, it's going to be annoying.
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