A Quote by Maria Tatar

The unsparing savagery of stories like “The Robber Bridegroom” is a sharp reminder that fairy tales belong to the childhood of culture as much as to the culture of childhood... They capture anxieties and fantasies that have deep roots in childhood experience.
A lot of my stand-up early on was stories from my childhood. And my childhood is over - there's not new childhood stories to come. They've all been mentioned.
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.
As soon as one knows one is going to die, childhood is over.... So one can be grown up at seven. Then, I believe most human beings forget what they have understood, recover another sort of childhood that can last all their lives. It is not a true childhood but a kind of forgetting. Desires and anxieties are there, preventing you from having access to the essential truth.
I felt if I went chronologically, I'd get bogged down in childhood and that's part of our culture of complaint in America. This endless wailing about your childhood.
It is my childhood dream to have a Christian-style wedding, just like the fairy tales.
They say that childhood forms us, that those early influences are the key to everything. Is the peace of the soul so easily won? Simply the inevitable result of a happy childhood. What makes childhood happy? Parental harmony? Good health? Security? Might not a happy childhood be the worst possible preparation for life? Like leading a lamb to the slaughter.
Our sexuality is affected by our fantasies. Some of these fantasies have their roots in our childhood. We have the power to control our thoughts but many people don't do it because they get pleasure in their fantasies.
I had an Arabic background. but I lived a very scattered childhood. I didn't belong to any one culture, which meant I didn't have musical geographies in my head.
Deeper meaning resides in the fairy tales told to me in my childhood than in the truth that is taught by life.
I was born and raised in Ohio. During my childhood, I spent most of my time drawing and reading fairy tales and myths.
There was a place in childhood that I remember well, And there a voice of sweetest tone bright fairy tales did tell.
A parent who from his own childhood experience is convinced of the value of fairy tales will have no difficulty in answering his child's questions; but an adult who thinks these tales are only a bunch of lies had better not try telling them; he won't be able to related them in a way which would enrich the child's life.
Childhood is analogous to language learning. It has a biological basis but cannot be realized unless a social environment triggers and nurtures it, that is, has need of it. If a culture is dominated by a medium that requires the segregation of the young in order that they learn unnatural, specialized, and complex skills and attitudes, then childhood, in one form or another, will emerge, articulate and indispensable.
Childhood is not only the childhood we really had but also the impressions we formed of it in our adolescence and maturity. That is why childhood seems so long. Probably every period of life is multiplied by our reflections upon the next.
The landscape of childhood shapes us as it shapes the characters in our stories. You never forget the sacred places of your childhood.
My childhood was pretty colorful; I like to use the word turbulent. But it was a great time to grow up, the '70s and '80s in Brooklyn, East Flatbush. It was culturally diverse: You had Italian culture, American culture, the Caribbean West Indian culture, the Hasidic Jewish culture. Everything was kind of like right there in your face. A lot of violence, you know, especially toward the '80s the neighborhood got really violent, but it made me who I am, it made me strong.
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