A Quote by Mariah Carey
A lot of people are singing about how screwed up the world is, and I don't think that everybody wants to hear about that all the time.
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No one wants to hear about how awesome you were; people want to hear about the time you blew it. So I think the longer you do stand-up, the more comfortable you are. You stop wanting to hide your foibles and instead want to show who you are.
What I am most proud of with the book On to the Next Dream is how I turned an intensely emotional experience into art. Anyone can run up to a rooftop, tear off their clothes, and scream about how screwed up the world is. But for the people down below, all they see is a person losing their mind. I wanted to make something that channeled that emotion in a way that elicited an empathetic response from the reader. So that after you read this book, you would want to run up to the rooftop and scream about how screwed up the world is.
When I was growing up, I think I was expected to be seen and not heard. You're this little, nerdy kid; no one wants to hear about how sad you are. Nobody wants to hear that you feel lonely.
People are screwed up in this world. I'd rather be with someone screwed up and open about it than somebody perfect and ready to explode.
Nobody wants to hear how I think I've been mistreated, or how I think my punishment should be lifted, or tweaked, or reduced. Nobody wants to hear me say that, nobody cares what I think about this. I get it.
The problem is that everybody, everybody - Donald Trump, Paul Ryan, everybody - on the Republican side said they can't do tax reform until Obamacare is improved, they can't do it. I think a lot is known about Obamacare. I think that's why it's so consistently polls with people opposed to it. I think people know how much it's cost particularly to people that have entered the exchanges, but I think everybody does. there's not a person in the world in this country who is not aware of the oppressive, out of any scope of normalcy costs and prices associated with it.
You hear about how many fourth quarter comebacks that a guy has and I think it means a guy screwed up in the first three quarters.
I think that lyrically, 'Safe' is a very positive song: it's very strong; it's about keeping somebody safe and protecting people. I think everybody anywhere in the world can relate to it. I think everybody wants to feel safe; everybody wants to feel protected.
You can be up there, talked about, appreciated all over the world, with people singing a lot of songs about you. But if you don't measure up and you are not really connected with your people... it will explode in your face, no question about it.
Every time I talk about this, I say: when the singer is singing, he must be respected, you must be able to hear what he's saying. You can't put a trombone and a drum up there, and a microphone on the drum, microphones on everybody. You can't hear what he's saying.
The one thing I find about singers in the business is that they often don't get the right education. I hear a lot of them singing and when they get to 30, 40 years old they wont be able to sing because they are not properly trained. A lot of people singing from their throat instead of singing from their diaphragm.
I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.
I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.
The things I connected with Zurich about were that he is a selfless person; he wants the best for everybody. He wants to see everybody win. And he's a strong person. A lot of the time, he doesn't wear his emotions on his sleeve because he wants to stay strong for his line brothers, his family, his mom, everybody. I feel like I can relate to that.
What keeps me up at night? Probably most, thinking about the future for my kids. It sounds kind of funny, but not so much what they're going to do, but how as a parent, how my wife and I as parents, how best we should prepare them for the world. And I know everybody does this, I think everybody stays up at night thinking about the best thing for their kids, and astronauts are no different.
The things that affect you most deeply - the things that will destroy you if you don't sing about them - are the things that you often end up singing about. It's really just about saying those things that everybody thinks but no one will say and making a connection by uncovering these diamonds that are inside of all of us that no one wants to tell each other about.
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