A Quote by Mariah Carey

I wrote my own anthem: it's called 'Mariah's Theme.' It's on the 'Rainbow' album from '99. Back in the day. — © Mariah Carey
I wrote my own anthem: it's called 'Mariah's Theme.' It's on the 'Rainbow' album from '99. Back in the day.
'Unbreakable Smile' was based off one of the songs I wrote for the album - it was actually the first song I wrote for the album without realizing it yet. I think I wanted to name the album that because it seemed like that was just the theme of that chapter in my life and just the theme of all the songs put together.
We're gonna do it like George Foreman. We're gonna name all of our kids Mariah no matter if they're boys or girls. Mariah No. 1, Boy Mariah, Man Mariah, Tall Mariah. It's gonna be a house full of people named Mariah.
Back in the day, fans wrote letters to groups - you'd get them, although it could take a while. Now, artists can go online and there's discussions about what you should and shouldn't be doing. The minute you announce that you're recording an album, thousands of people are telling you what that album should be.
For me, my favorite Mariah Carey songs were never the singles, ever. My favorite Mariah song of all time is 'Sent From Up Above' from her first album, or 'Vanishing,' songs no one talks about.
'Reign' is probably the oldest one on the record. I wrote that when I was 19. 'The Dead They Don't Come Back,' which is the last song on the album, I wrote when I was 20, and 'Harlem River' I just wrote last year. It spans from 2007 to 2012.
I took a lot time to do the first album, and I was really happy about that album. I co-wrote the songs and it was a learning process. When I was working on that album I realized, for the first time, that I could write my own songs.
There's this Method Man album called 'Tical.' It's his first album. I would just listen to that every day, because the album feels like, if it were a film, it would be black and white. It feels like there's a war percolating throughout the album itself. It's dark, and it has a nice forward pace to it.
The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
Back in the day you wanted your albums to have a theme, and 'Sports' theme was really a collection of singles. It was really a record for its time.
All these seven colors are part of one rainbow, yet they are all different. They have their own quality, their own identity, their own flavor to it. So it is a rainbow. The Divine loves diversity, that is why he made us all different.
If a plane crashes and 99 people die while 1 survives, it is called a miracle. Should the families of the 99 think so?
One of my favorite songs from the album is a song called 'For Better or Worse,' and it's basically about unconditional love, which is, I'd say, an ongoing theme in my personal life.
Back when the concept of organ transplants qualified as science fiction, novelist Maurice Renard wrote a thriller called 'Les Mains d'Orlac.' Call it a bastard offspring of 'Frankenstein;' its plot revolved around the old theme of Science Giving Us Stuff We Shouldn't Have - in this particular case, restoring severed body parts.
There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
If you asked me to make a Gaslight Anthem album on my own, I would say, 'No way, that's crazy.' I would never have been able to do that.
It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.
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