A Quote by Marian Keyes

I love Prada. Not so much the clothes, which are for malnourished thirteen-year-olds, but I covet, with covety covetousness, the shoes and handbags. Like, I LOVE them. If I was given a choice between world peace and a Prada handbag, I'd dither. (I'm not proud of this, I'm only saying.)
I love vintage Chanel and Prada. When I was growing up, my mum had a Prada backpack, which she's now given to me. I love it because it reminds me of when I was little.
The designers usually don't like to say until we're on the runway. Like when I did Prada last year, I couldn't mention doing Prada or even Tweet or take a picture and put it on Twitter saying I was backstage at the Prada show. And Dolce was the same thing. They like to keep a little surprise, I guess, a little secret for everybody.
I really loved when Prada Sport came into fashion, which kind of created all the nylon which she had for quite some time. You also wanted a Prada bag, you wanted a Prada shoe, not that you don't today, but that craze for Prada accessories was really big. It was a really big deal.
I love Prada shoes. I cannot get enough of them. Or Valentino.
I love handbags. And shoes. Investing in like a great handbag or a pair of shoes can really make or break an outfit. It's fun to mix and match high street with luxury brands and throw in a bit of vintage as well.
Because of the Prada name, I can do things that people normally would not care about in the culture. I can have an exhibit by some forgotten artist who I love, and because it's Prada, people will come see it.
Christian Louboutin - his shoes are classic and can be worn for any occasion. I love the feel of Prada shoes and the comfort of Fendi. I like Miu Miu and Nicholas Kirkwood. A shoe can decide how stylish you are.
I like what Proenza Schouler is doing. I also love the Miu Miu chunky embellished shoes and really like Prada as well.
Schiaparelli’s collaborations with Dali and Cocteau as well as Prada’s Fondazione Prada push art and fashion ever closer, in a direct, synergistic, and culturally redefining relationship.
I love music in general. It's like girls and their clothes and shoes; when you love shoes, you love shoes. So, for me, I think it's a really dangerous thing to say I'm going to write the best dance song in the world.
Designing for me is a very complex process. There are many ideas that I want to express in one object, very often contradictory. The creative process in Miu Miu is completely different from that of Prada. Miu Miu is not as complicated and thought out as Prada. Rather than being young, Miu Miu is immediate Prada is very sophisticated and considered; Miu Miu is much more naive. The solution, when I am working on Miu Miu, has to come immediately, instinctively, spontaneously with whatever is available at the moment. If I think three times, I stop.
I've always loved clothes, especially handbags and shoes. I'd rather save my money on clothing and wear crap, but have the handbags and shoes.
Prada is something that should be so mundane, like clothes.
I am from the working class. I am now what I was then. No amount of balsamic vinegar and Prada handbags could make me forget what it was like to be poor.
You can't beat a Diane Von Fostenburg wrap dress; I always tend to go for the wrap dresses with a little more structure. I also love Prada shoes.
My biggest challenge in making 'The Devil Wears Prada' was simply to maintain a tone of sophistication and reality. It's about the fashion world, or it's set in the fashion world, and that's a world that's easy to mock. It's easy to satirise people trying to lose weight and choosing between fancy clothes.
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