A Quote by Marian Seldes
In Milly Barranger, Margaret Webster has found the perfect biographer. In Margaret Webster, Milly Barranger has found her perfect subject. She brings to vivid life a fascinating and important theater figure whose public and private lives were of equal interest. In this carefully researched book, Webster's colleagues, lovers, and friends shine as brightly as she did. I wish she were here to read it.
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Media hosts just talk about Golda Meir and Margaret Thatcher and again miss the point. I was talking about AMERICAN culture, ladies and gentlemen. As I pointed out, if Margaret Thatcher or Golda Meir, by the way, she didn't care, and Margaret Thatcher didn't care how she look like. If Margaret Thatcher were running for president today, as she was when she was the Iron Lady, we wouldn't have her mom doing television commercials telling us how wonderful she was when she was a kid and how nice she is.
Hot Lips changed a lot in eleven years. Initially, Margaret Houlihan behaved as though a man were the only thing that could complete her life, and she didn't see what richness her life contained. She gained a lot of self-esteem through the years, and she came to realize that what she did, what she offered, was valuable.
Mike Webster lost all his money or, maybe, gave it away. He forgot. A lot of lawsuits. Mike Webster forgot how to eat, too. Soon, Mike Webster was homeless, living in a truck, one of its windows replaced with a garbage bag and tape.
Like all of us, there were many facets to Margaret Thatcher's personality. In private she was kind, thoughtful, charming. Very attentive to her interlocutors. She took time to be concerned - she knew all about my children and wife Mila and so on.
maggie and milly and molly and may went down to the beach (to play one day) and maggie discovered a shell that sang so sweetly she couldn't remember her troubles, and milly befriended a stranded star whose rays five languid fingers were and molly was chased by a horrible thing which raced sideways while blowing bubbles and may come home with a smooth rounded stone as small as a world and as big as alone. for whatever we loose (like a you or a me) it is always ourselves we find in the sea.
Mr. Thornton felt that in this influx no one was speaking to Margaret, and was restless under this apparent neglect. But he never went near her himself; he did not look at her. Only, he knew what she was doing — or not doing — better than anyone else in the room. Margaret was so unconscious of herself, and so much amused by watching other people, that she never thought whether she was left unnoticed or not.
In a way, the debate about Margaret Thatcher in Britain has just gotten fossilized in this notion that she is either this she-devil who wrecked the industrial base of the country and ruined the lives of millions, or she is the blessed Margaret who saved the nation and rescued us from our post-war decline.
Well, she's so alive, Julia Child. And Margaret is so - is so designed. She's so intent upon making her point. That's the most important thing, is that she win the argument, and there is nothing that stands in the way of that train, you know. But Julia's just alive in front of you. That's part of why people loved her. They lived it with her. They breathed it with her. And the mistakes were all part of it.
People were always saying to Margaret, 'Well, Julia sings and Betsy writes. Now what is little Margaret going to do?' Margaret would smile politely, for she was very polite, but privately she stormed to Betsy with flashing eyes, 'I'm not going to do anything. I want to just live. Can't people just live?
I've just finished reading a book about the brilliant Margaret Rutherford. She wasn't a beauty, but inside she was absolutely blazing and passionate about her work. She's one of those life-affirming characters.
I knew she was a party girl. The book I liked most on her was called [princess] Margaret: A Life of Contrasts and getting to know her, it was how conflicted her position and her internal life - or self - was. She is so fiercely royal and so fiercely "sister of the queen" or "daughter of the king" because that is her identity and it's all she's ever known. And at the same time she is struggling to push the boundaries and to break away from it, to be different or to modernize the monarchy, to turn it on its head.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others.
She suffers as a miser. She must be miserly with her pleasures, as well. I wonder if sometimes she doesn't wish she were free of this monotonous sorrow, of these mutterings which start as soon as she stops singing, if she doesn't wish to suffer once and for all, to drown herself in despair. In any case, it would be impossible for her: she is bound.
I was named Margaret Yvonne. 'Margaret' because my mother was very fond of one of the derivatives of the name. She was fascinated at the time by the movie star Baby Peggy, and I suppose she wanted a Baby Peggy of her own.
I was named Margaret Yvonne - Margaret because my mother was very fond of one of the derivatives of the name. She was fascinated at the time by the movie star Baby Peggy, and I suppose she wanted a Baby Peggy of her own.
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