A Quote by Marian Seldes

There's no trick of teaching acting. Either someone wants to do it and is gifted, or not. — © Marian Seldes
There's no trick of teaching acting. Either someone wants to do it and is gifted, or not.
People think that jumping or do trick shot is gifted. Yes, it's gifted but is a lot of work. I won't say I work on the trick shot, but it's like I think physically I'm one of the best.
When you're writing something new, writing something that's your own, basically you have nothing else to do except either invent a trick, use someone else's trick, or have no trick and get a bad performance.
If I wasn't acting, I'd be teaching acting. That would be my easiest thing to fall back on is teaching it.
What a gifted child is, in many ways, is a gifted learner. And what a gifted adult is, is a gifted doer. And those are quite separate domains of achievement.
If I was Leo DiCaprio or someone similarly gifted and successful I wouldn't be writing. I'd be too busy acting in all the best scripts in town to try and write them!
President Obama is a gifted politician. He is gifted with rhetoric virtuosity. He is gifted with the ability to lie directly to camera without blinking. And he is gifted with some of the most incompetent conservative opposition in the history of the country.
The thing with acting is I'm at the liberty of someone who wants to book me. With music, I can do it all the time. With acting, I could, too, if I wanted to write a script and do that whole thing, but music is a constant thing. Acting, I have to audition.
If you're teaching today what you were teaching five years ago, either the field is dead or you are.
The $50 note trick - ask who wants it even after stomping on it - moral is, no matter what we do to it it is still worth $50. We as human beings never lose our value either despite feeling down, flat or worthless at times.
Teaching someone to be funny is like teaching someone to be fast. They're already fast. You're just making them faster.
There's no truth in acting, it's all a trick, because you go on stage in front of sets, you're on film - it's all a trick. I'm making it sound very - I really am demystifying it, but what I try to do, what I do, and I hope effectively, is to create a reality as if it is happening now, that you're fishing for words out of the air.
I was runner that really started focusing on swimming at a very young age, and that's kind of how I got into acting. I was at a school for gifted athletes and gifted artists, and I got injured one year and started hanging out with all the actors and dancers and all those crazy people and started getting the bug.
The goal is to really blur the line. Can you perform a magic trick in a way that someone doesn't think it's a magic trick but is something amazing they haven't seen before? Then they have to wrestle with reality.
Acting is somewhat mysteriously taught. There are so many different methods and systems and processes for teaching acting because it will always be an elusive art-form.
Every time you ride, your either teaching or un-teaching your horse.
I'm in the UFC; this is a sport about fighting. If someone wants to fight me, or someone wants to fight someone else... you're here to fight each other, so I get it.
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