A Quote by Marianne Faithfull
When you are 18, 19, 20, you're used to being photographed all the time, in a certain way. So, the narcissism becomes almost out of control. And the way that young women are photographed, they become addicted to this feedback of the image.
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I always took photographs. I photographed a lot of trees, by the way, which is another image I used often in my work, the tree image.
When I was photographed, I didn't feel I was acting. I just felt I was being photographed. It sort of taught me things about myself that I didn't know and was trying to find out.
When I was being photographed, I always felt very much in my own skin. That's probably one of the reasons why I enjoy being photographed.
Being a woman is just a marvelous plus in photographing. Men like to be photographed by women, it becomes flirtatious and fun, and women feel less as if they're expected to be in a relationship.
I don't like the way I look so I don't like being photographed. I become defensive.
It is a nostalgic time right now, and photographs actively promote nostalgia. Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos. ... All photographs are memento mori. To take photograph is to participate in another person's mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt
Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos.
From an early age, my father stressed the power of the image, and he encouraged me to carefully control my own. He advised me, for example, never to be photographed from below, an often unflattering angle for women.
Every photographed object is merely the trace left behind by the disappearance of all the rest. It is an almost perfect crime, an almost total resolution of the world, which merely leave the illusion of a particular object shining forth, the image of which then becomes an impenetrable enigma.
The photographer discovers himself/herself being photographed and we can guess he is uncomfortable. Unsuccessfully he/she tries to recompose his posture and to look like a photographer taking photos. But no, he is and continues to be a spectator. The momentous fact of being photographed leads him to becoming an actor. And, as always, actors must assume a role, which is only an elegant way of avoiding to say they must choose sides, choose a faction, take an option.
Every once in a while I have this revelation like, "Wow, a hundred years ago the world wasn't black and white." It was in color. Photographed in a certain way, people look from another time. We are just not used to seeing ourselves in that context. Something that's fascinating about photography is you can isolate a moment, tear it out of its context, and see it afresh. Another realization is that, "Wow, there's a big world out there, and people are still doing all sorts of the things that they used to do." We don't just live in iPad land.
Freaks was a thing I photographed a lot. It was one of the first things I photographed, and it had a terrific kind of excitement for me. I just used to adore them. I still do adore some of them.
Sometimes, when you roll out of bed, you don't want to be photographed by the paparazzi. Usually you like to know when you're being photographed. I've learnt that, as a public figure, you have to up your game and be prepared. Ideally, you try not to roll out of bed without brushing your hair - just chuck a brush through it, make a little effort.
I used to always be putting my hat on children being photographed and then getting home and discovering I was riddled with lice. That used to happen very, very regularly. I used to get headlice all the time.
What has changed is that when I photographed, most people that I photographed didn't have the right of refusal on their work. It would take a Marilyn Monroe at her height to be able to dictate that.
You know, also I, you know, I was on those birth control pills and my breasts were like, they hurt... and, you know, it was like they blew up like. You know, they wouldn't fit into any of my dresses. I had to quit taking those birth control pills... This was like - I mean they were like, I thought they should be photographed really... So they were, for immortality. (On being photographed nude playing chess with Marcel Duchamp at Duchamp's 1963 retrospective at the Pasadena Museum of Art.)
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