A Quote by Marianne Moore

I see no reason for calling my work poetry except that there is no other category in which to put it. — © Marianne Moore
I see no reason for calling my work poetry except that there is no other category in which to put it.
What I write could only be called poetry because there is no other category to put it.
I feel everyone is put here for a reason. Everyone has a calling. I always thought my real calling was to help other people.
The most important lesson I think I could impart is don't let anyone determine what your horizons are going to be. You get to determine those yourself. The only limitations are whatever particular talents you happen to have and how hard you're willing to work. And if you let others define who you ought to be, or what you ought to be because they put you in a category, they see your race, they see your gender and they put you in a category. You shouldn't let that happen.
I go into calling any match, any fight - I don't care if it's the main event or the opener - that these guys have put in their work: they're here for a reason, and there's a reason I'm calling this fight, so I do want to give it as much attention and respect and energy as I would the main event or a championship fight.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
The sad thing about our society is that women are put in one of two categories. You're either in the beautiful category and you're seen as sexy and beautiful, or some version of that, or you're put into another category... The latter category affords women the opportunity to be smart, funny, independent, mean, strong, intelligent and opinionated. We take them seriously as politicians, if they fit into that latter category. We respect their opinions more and give them higher expectations. That latter category is what allows female actors to be characters.
That is why I think, in defiance of Plato, that there is at once error and vulgarity in saying that poetry is a lie, except in the sense that Cocteau wrote one day: I am a lie who always tells the truth. The only poetry which lies purely and simply is academic, pseudo-classical, conceptually repetitive poetry, and it is not poetry.
The subject of Finnish poetry ought to have a special interest for the Japanese student, if only for the reason that Finnish poetry comes more closely in many respects to Japanese poetry than any other form of Western poetry.
Society likes to file you away, put you in this or that category. And I never fit any category. Maybe that's why I was left out of a lot of things, or why my work was not really understood, because there was no precedent for it.
I’m a poet. And then I put the poetry in the drama. I put it in short stories, and I put it in the plays. Poetry’s poetry. It doesn’t have to be called a poem, you know.
The new crimes that the US and Israel were committing in Gaza as 2009 opened do not fit easily into any standard category—except for the category of familiarity.
I'm not a stickler for truth. To me, lying in poetry is much more fun. I'm against lying in life, in principle, in any other activity except poetry.
In science, reason is the guide; in poetry, taste. The object of the one is truth, which is uniform and indivisible; the object of the other is beauty, which is multiform and varied.
When people hear our record, they're not going to be able to put us into the 'New Metal' category or the 'pop-punk' category or the 'aggressive emo' category. I think people will be able to take it for what it is.
The distribution of tasks among the various employees follows a simple rule, which is that the duty of the members of each category is to do as much work as they possibly can, so that only a small part of that work need be passed to the category above. This means that the clerks are obliged to work without cease from morning to night, whereas the senior clerks do so only now and then, the deputies very rarely, and the Registrar almost never.
There is some reason to believe that when a man does not write his poetry it escapes by other vents through him, instead of the one vent of writing; clings to his form and manners, whilst poets have often nothing poetical about them except their verses.
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