A Quote by Marianne Wiggins

What thrills me about trains is not their size or their equipment but the fact that they are moving, that they embody a connection between unseen places. — © Marianne Wiggins
What thrills me about trains is not their size or their equipment but the fact that they are moving, that they embody a connection between unseen places.
The connection between art and Christ is like the connection between sunlight and the sun. It is, in fact, the connection between Sonlight and the Son.
The key virtue of orbital assembly is that it eliminates the tight connection between the size of the expedition and the size of the rockets used to launch it.
I never let the media dictate my identity, so the fact that I'm a size 14 or a size 2 or a size 8 or a size 4, I kind of rock and roll. It doesn't matter to me.
Journeys are the midwives of thought. Few places are more conducive to internal conversations than moving planes, ships or trains.
I can write most places. I particularly like writing on trains. Being between places is quite liberating, and looking out of the window, watching a procession of landscapes and random-ish objects, is very good for stories.
I'm very blue collar myself. So it was easy for me to embody that in a sense. It's much harder for me to embody Norrell than it is to embody Terry Donovan.
Language for me narrates the pictures in my mind. When I work on designing livestock equipment I can test run that equipment in my head like 3-D virtual reality. In fact, when I was in college I used to think that everybody was able to do that.
There is a very moving and ancient connection between cancer and depression.
Sisters, to me, are fascinating because it is a unique connection of the coming together of connection and competition. The fact that you have these age differences is a built-in power struggle, and the fact that you're all trying to get attention and resources from the same parents creates competition.
Artificial intelligence, in fact, is obviously an intelligence transmitted by conscious subjects, an intelligence placed in equipment. It has a clear origin, in fact, in the intelligence of the human creators of such equipment.
I feel the urge, familiar now, to wrench myself from my body and speak directly into her mind. It is the same urge, I realize, that makes me want to kiss her every time I see her, because even a sliver of distance between us is infuriating. Our fingers, loosely woven a moment ago, now clutch together, her palm tacky with moisture, mine rough in places where I have grabbed too many handles on too many moving trains. Now she looks pale and small, but her eyes make me think of wide-open skies that I have never actually seen, only dreamed of.
I believe in the hand-brain, pencil-to-paper-brain connection. In fact, I teach and I have the first year students do all of their drafting by hand to remind them that there is this physical connection between the two.
There is no connection between the political ideas of our educated class and the deep places of the imagination.
There is something discordant about a team of speechwriters and political operatives hammering away to create an image of the 'real, inner' candidate. And, to be blunt, there is no necessary connection between a moving life experience and the skills necessary for leadership.
The Constitution places the responsibility on Congress for setting the size of the U.S. military, ensuring sufficient resources are in place to train and equip it, and funding maintenance programs and replacing worn-out equipment. We have a moral responsibility to ensure that our people are fully prepared and fully supported.
Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.
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