A Quote by Marianne Williamson

There's a certain je ne sais quoi that Americans have in spades - a we-can-do-anything spirit that makes so many things possible for all of us. We're rugged individualists, aspirational in nature, and we like to think for ourselves.
I have confidence and je ne sais quoi. That is unmistakable.
A pair of Berluti shoes has this flair, these nuances in colour and patina, so I thought: 'What if we took this je ne sais quoi and turn it into a menswear brand?'
It takes that je ne sais quoi which we call sophistication for a woman to be magnificent in a drawing-room when her faculties have departed but she herself has not yet gone home.
He squeezed Steve's shoulder possessively. "Oh, Zero. He is not you, I must admit. He does not have your bravery, your nobility, your je ne sais quoi, and all he talks about is this magical place called 'Canada'.
L'univers?je l'en estime plus depuis que je sais qu'il ressemble a' une montre; il est surprenant que l'ordre de la nature, tout admirable qu'il est, ne roule que sur des choses si simples. I have come to esteem the universe more now that I know it resembles a watch; it is surprising that the order of nature, as admirable as it is, only runs on such simple things.
There is really a je ne sais quoi about turkey cooking - the air of festivity, the family squabbles, the constant basting - that does not apply to the turkey breast, which is, really, a convenience of food... A turkey without seasonal angst is like a baseball game without a national anthem, a winter without snow, a birthday party without candles.
Voice is the je ne sais quoi of spirited writing. It separates brochures and brilliance, memo and memoir, a ship's log and The Old Man and the Sea. The best writers stamp prose with their own distinctive personality; their timbre and tone are as recognizable as their voices on the phone. To cultivate voice, you must listen for the music of language-the vernacular, the syntactic tics, the cadences.
When you write, it’s like braiding your hair. Taking a handful of coarse unruly strands and attempting to bring them unity. Your fingers have still not perfected the task. Some of the braids are long, others are short. Some are thick, others are thin. Some are heavy. Others are light. Like the diverse women of your family. Those whose fables and metaphors, whose similes and soliloquies, whose diction and je ne sais quoi daily slip into your survival soup, by way of their fingers.
Je sais la douleur est la noblesse unique O u' ne mordront jamais la terre et les enfers. I know that pain is the one nobility upon which Hell itself cannot encroach.
Let us not overstrain our talents, lest we do nothing gracefully: a clown, whatever he may do, will never pass for a gentleman. [Fr., Ne forcons point notre talent; Nous ne ferions rien avec grace: Jamais un lourdaud, quoi qu'il fasse, Ne saurit passer pour galant.]
Ce que je sais de la morale, c'est au football que je le dois. (I know of morality, it is football that I owe.)
Most artists like to think of themselves as rugged individualists, as independent characters.
Families composed of rugged individualists have to do things obliquely.
It is the Paraclete Spirit, the "Comforter", who grants us the courage to take to the streets of the world, bringing the Gospel! The Holy Spirit makes us look to the horizon and drive us to the very outskirts of existence in order to proclaim life in Jesus Christ. Let us ask ourselves: do we tend to stay closed in on ourselves, on our group, or do we let the Holy Spirit open us to mission?
There is a special mystique to Texas. Texans represent many things to the uninitiated: We are bigger than life in our boots and Stetsons, rugged individualists whose two-steppin' has achieved world-wide acclaim, and we were the first to define hospitality.
President Obama is casting his lot in the middle of a debate as old as America itself: Are we rugged individualists pulling ourselves up by the bootstraps? Or are we a nation of community, all connected and counting on one another?
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